De Stijl

De Stijl (/də ˈstl/; Dutch pronunciation: [də ˈstɛil]), Dutch for "The Style", also known as neoplasticism, was a Dutch artistic movement founded in 1917 in Amsterdam. The De Stijl consisted of artists and architects In a narrower sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white.

De Stijl is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg (1883–1931) that served to propagate the group's theories. Next to van Doesburg, the group's principal members were the painters Piet Mondrian (1872–1944), Vilmos Huszár (1884–1960), and Bart van der Leck (1876–1958), and the architects Gerrit Rietveld (1888–1964), Robert van 't Hoff (1887–1979), and J. J. P. Oud (1890–1963). The artistic philosophy that formed a basis for the group's work is known as neoplasticism—the new plastic art (or Nieuwe Beelding in Dutch).

De Stijl (album)

De Stijl /də ˈstl/ is the second studio album by the American garage rock band The White Stripes, released on June 20, 2000 on Sympathy for the Record Industry. The album reached number thirty-eight on Billboard's Independent Albums chart in 2002, when The White Stripes' popularity began to grow. It has since become a cult favorite among White Stripes fans, due to the simplicity of the band's blues/punk fusion.

De Stijl ("the style" in English) was a Dutch art movement (including the painter Mondrian). Vocalist Jack White had been an admirer of the style for some time, especially of furniture designer Gerrit Rietveld. Rietveld designed the Rietveld Schröder House, which Jack and Meg White visited while on tour in the Netherlands. De Stijl was dedicated to both Rietveld and Blind Willie McTell.

It was after the tour began for De Stijl that Jack finally closed his upholstery shop.

On February 5, 2008, Canadian media reported that former Radio-Canada host Dominique Payette filed a lawsuit against The White Stripes for using a nine-second clip of her interview with a little girl at the beginning of "Jumble, Jumble". She demanded $70,000 in damages and the removal of the album from store shelves. The dispute was settled out of court.

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De Stijl

by: White Stripes

Lookie here momma let me explain ya this
If ya wanna get crooked i'll even give ya my fist
Ya might read from revelation back to genesis
Ya keep forgetten your southern can belongs to me
So there ain't no use in bringin no jive to me
Your southern can is mine in the mornin
Your southern can belongs to me
Ya might go uptown have me arrested, put in jail
Some hotshots got money gonna pull my bail
Soon as i get out, hit the ground
Your southern can is worth a dollar a half a pound
So there ain't no use in bringin no jive to me
Your southern can is mine, talkin about it
Your southern can belongs to me
Ya might take it from the south, baby, hide it up north
Understand ya can't rule me and be my boss
Take it from the east and hide in the west
But when i get ya momma your can'll see no rest
So there ain't no use in bringin no jive to me
Your southern can is mine, i'm screamin
Your southern can belongs to me
Now baby, ashes to ashes, sand to sand
When i hit ya momma then ya feel my hand
Give ya punch through that barbed wire fence
When i hit ya baby, ya know i make no sence
So there ain't no use in bringin no jive to me
Your southern can is mine, i know it
Your southern can belongs to me
Now look here woman, don't get hot
I'm gettin me a brick outta my backyard
So there ain't no use in bringin no jive to me
Your southern can is mine, i'm takin about it
Your southern can belongs to me
Well if i catch you momma down in the heart of town
I'm gonna grab me a brick and tear your can on down
So there ain't no use in bringin no jive to me
Your southern can is mine, i know it
Your southern can belongs to me
You may get death-bed sick, 'cause you're graveyard bound
I'm gonna make you moan like a graveyard hound
So there ain't no use in bringin no jive to me
Your southern can is mine, i'm screamin
Your southern can belongs to me




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