The Radha Krsna Temple is a 1971 album of Hindu devotional songs recorded by the UK branch of the Hare Krishna movement – more formally, the International Society for Krishna Consciousness (ISKCON) – who received the artist credit of "Radha Krishna Temple (London)". The album was produced by George Harrison and released on the Beatles' Apple record label. It compiled two hit singles by the Temple devotees, "Hare Krishna Mantra" and "Govinda", with other Sanskrit-worded mantras and prayers recorded with Harrison from July 1969 onwards.
The recordings reflected Harrison's commitment to the Gaudiya Vaishnava teachings of the movement's leader, A.C. Bhaktivedanta Swami Prabhupada, who had sent devotees from San Francisco to London in 1968. The success of the Temple's first single, "Hare Krishna Mantra", helped popularise the Hare Krishna movement in the West, and inspired Harrison's more overtly religious songs on his 1970 triple album All Things Must Pass. Among the Temple members, former jazz musician and future ISKCON leader Mukunda Goswami provided the musical arrangements on the recordings.
Dahi Handi (dahi: curd, handi: earthen pot) is an Indian festival, celebrated every August/September, that involves making a human pyramid and breaking an earthen pot filled with curd tied at a convenient height. This event is based on the legend of the child-god Krishna stealing butter. A participant in this festival is called a govinda or govinda pathak. It is mostly popular in the state of Maharashtra and Mumbai. It is part of the main festival Gokulashtami, which is known as Krishna Janmashtami in the rest of the country, and celebrates the birth of Krishna. This is celebrated on the next of Krishna Janmashtami.
The child-god Krishna and his friends used to form human pyramids to break pots hung from the ceilings of neighbourhood houses, in order to steal curd and butter. This was in Vrindavan, a village in Uttar Pradesh, India, where Krishna was brought up. There was ample amount of cows and milk products made that time. He used to distribute it among his friends because during King Kamsa's rule (his maternal uncle), their parents were forced to give everything produced to Kaunsa's home in Mathura. The children of Vrindavan village were thus deprived of milk products.
"Govinda" is a song by British band Kula Shaker, released on 11 November 1996. The song is notable for its heavy Indian influences such as the Tambura and is unique in being the only British Top Ten hit to be sung entirely in Sanskrit.
The text is taken from a Sanskrit devotional song to Krishna. Govinda jaya jaya literally means Krishna (the Divine Cowherd), Glory, Glory. Govinda was previously recorded by singers from Radha Krsna Temple in a 1970 album produced by George Harrison.
A music video was made for the song, which was directed by Michael Geoghegan.
In one of his interviews Crispian Mills mentioned that the song was born out of an improvisation, based on an Hindu prayer to Krishna.
The song appeared originally on the album K, with an alternate version called "Govinda '97, Hari & ST. George" appearing on the Summer Sun EP.
The cover artwork features a Longines Conquest watch, with the band logo and single title in place of the Longines branding.
In predicate logic, an existential quantification is a type of quantifier, a logical constant which is interpreted as "there exists", "there is at least one", or "for some".
It is usually denoted by the turned E (∃) logical operator symbol, which, when used together with a predicate variable, is called an existential quantifier ("∃x" or "∃(x)"). Existential quantification is distinct from universal quantification ("for all"), which asserts that the property or relation holds for all members of the domain.
Symbols are encoded U+2203 ∃ THERE EXISTS (HTML ∃
· ∃
· as a mathematical symbol) and U+2204 ∄ THERE DOES NOT EXIST (HTML ∄
).
Consider a formula that states that some natural number multiplied by itself is 25.
This would seem to be a logical disjunction because of the repeated use of "or". However, the "and so on" makes this impossible to integrate and to interpret as a disjunction in formal logic. Instead, the statement could be rephrased more formally as
"Something" is a song by South Korean pop duo TVXQ, also known as Tohoshinki in Japan. Serving as the lead single for their seventh Korean studio album Tense (2014), the song was produced by TVXQ's long-time collaborator Yoo Young-jin and co-written by Yoo with his brother Yoo Han-jin. Introduced as TVXQ's tenth anniversary comeback single, "Something" was released by S.M. Entertainment on January 6, 2014. Two versions of the song exist; the original Korean-language version, and a Japanese-language version, which was released by Avex Trax as a double A-sided CD single, along with "Hide & Seek", in Japan on February 5, 2014. It served as the fourth and final single release for the duo's seventh Japanese studio album, Tree (2014). Within a week of its release, the single was certified gold by the Recording Industry Association of Japan (RIAJ) for shipments of over 100,000.
Noted for being a major musical departure from TVXQ's earlier songs, "Something" is a song that incorporates swing performance styles with modern dance-pop. The song deals with a narcissistic male protagonist who tells women that they need to have "that something" in order to attract him. The accompanying music video, filmed in early December 2013, premiered on January 1, 2014 at 6pm KST.
Something is a 1970 album by Shirley Bassey. With her career having been in decline since the latter part of the mid 1960s, Something proved to be Shirley Bassey's comeback when it was released in August 1970. The title track single became her biggest UK hit for many years, reaching No.4 and spending 22 weeks on the chart. This was actually the second single featured on the album, "The Sea and Sand" having already been released earlier. The album was similarly her biggest hit for many years in the album charts, reaching No.5 and spending 28 weeks in the top 50.
This album led to a major revival in Bassey's career, and it would see Bassey transform into mainly an album artist, recording fifteen albums in the 1970s (four of those live recordings). Of those three would be top ten albums, three others in the top fifteen, and a further four in the top 40. She would also reach the top three twice, with a pair of compilations. (UK Albums Chart)
This was also her first work with record producer Noel Rogers and producer/arranger Johnny Harris, who built on Bassey's traditional pop roots to include contemporary songs and arrangements.