Solo

Solo or SOLO may refer to:

Arts and entertainment

Literature

Comics

Music

Artists

Albums

Solo (Dutch band)

Solo is the musical outfit of Dutch musicians Michiel Flamman and Simon Gitsels. The duo released two albums, of which the latest Solopeople was the biggest success. The album released on label Excelsior Recordings spawned a Dutch top 20 hit with Come Back To Me.

Biography

Songs ’n Sounds (2003-2005)

In 2003 Flamman and Gitsels team up under the name Solo. By then both have already paid their dues in the music industry. Flamman performed under the name J. Perkin and wrote songs for other artists. Gitsels worked as sessions musician for Mathilde Santing and Birgit.

A year later the duo signs with Excelsior Recordings. On this label Solo releases its debut album Songs ‘n Sounds on August 16. The record is produced by Martijn Groeneveld and contains contributions from Minco Eggersman (at the close of every day), Rowin Tettero (Mindmeners) and Marg van Eenbergen (Seedling). The latter two also support Flamman and Gitsels during live shows. In November Solo receives an Essent award.

Solo (Norwegian soft drink)

Solo is an orange-flavoured soft drink, owned by the Norwegian companies Ringnes, Oskar Sylte, Aass, and Mack. The recipe was originally Spanish, and brought to the Tønsberg Bryggeri by Torleif Gulliksrud in 1934. Solo quickly became Norway's most popular soft drink, and until the 1960s was bigger than Coca-Cola in Norway. In 1999, Pepsi passed Solo in market share, leaving Solo as third most popular.

As of 2005, Solo has a seven percent share of the Norwegian soft drink market. Variants of the original Solo include Solo Super (less sugar), Solo Sunset and Solrik (juice).

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Sony Alpha 900

The α900 (DSLR-A900) is a full-frame digital SLR camera, produced by Sony. An early design study of the camera was shown at PMA on 8 March 2007, and a newer prototype announced at PMA 2008 on 31 January 2008. Sony officially introduced the final camera on 9 September 2008 prior to photokina 2008. In October 2011, Sony Japan announced the camera's end of production.

The specifications include: 24.6-megapixel CMOS sensor, 5 frame/s burst mode, dual BIONZ processors, 100% viewfinder, 9-point AF with 10 assist points, inbuilt image sensor shift stabilization and intelligent preview. It does not have video/movie recording.

Intelligent preview mode

This mode, first introduced on the DSLR-A900, allows the photographer to take a sample image at the current settings. When this mode is enabled in the settings (default), then using the depth of field (DOF) preview button makes a preview image of the subject. The display shows the image and its image histogram, but it is not stored on the memory card. At that point, the photographer can accept current settings or simulate how the image (and histogram) would look with changes in aperture, shutter speed, dynamic range optimizer and white balance. If the photographer prefers those new settings he simply continues to work to accept them. Otherwise he can reject them by depressing the garbage can icon. He can also compare the sample to the simulation by depressing the DISP button.

Sony MDR-V6

Sony MDR-V6 is a large diaphragm folding pair of headphones, the initial entry in Sony's Studio Monitor headphones, one of the most popular model lines among professional audio engineers. The product line was augmented by the MDR-V600, the MDR-7506 and then the MDR-7509 & MDR-7509HD models, which continue to be popular for audio editing, live sound and broadcast applications. The four models use a closed, circumaural sealed-ear design with a coiled oxygen-free copper cord, tipped with a combination ¼″ (6.35 mm) and ⅛″ mini (3.5 mm) TRS phone connector. As a product line, the MDR-series Studio Monitor folding headphones have been noted as a "favorite of sound professionals because they're reasonably flat sounding, inexpensive, compact, and they can take a lot of punishment." The MDR prefix is an initialism of the Micro Dynamic Receiver trademark.

MDR-V6

The MDR-V6 was introduced in 1985 and became popular with sound engineers and disc jockeys (DJs). The headphones were listed as having a very wide frequency response and were convenient for travel as they could be folded and carried in an included leatherette bag. In 1987, audio industry journalist Daniel Kumin wrote, "Throw away your loudspeakers. There is now what may be the most perfect transducer yet made by man. Recently I auditioned a pair of Sony MDR-V6 Studio Monitor headphones, then purchased them. There are not enough superlatives in the dictionary to describe the performance of these headphones. Listening to them with a good CD recording is like being in the center of a live performance."Consumer Reports wrote in 1989 that "there seems little reason to look beyond the check-rated Sony MDR-V6. That model combines the highest accuracy we've measured in headphones, comfortable design, moderate weight, and enviable bass reproduction."