Solaris is a 1961 Polish philosophical science fiction novel by Stanisław Lem. The book centers upon the themes of the nature of human memory, experience and the ultimate inadequacy of communication between human and non-human species.
In probing and examining the oceanic surface of the planet Solaris from a hovering research station the human scientists are, in turn, being studied by the sentient planet itself, which probes for and examines the thoughts of the human beings who are analyzing it. Solaris has the ability to manifest their secret, guilty concerns in human form, for each scientist to personally confront.
Solaris is one of Lem’s philosophic explorations of man’s anthropomorphic limitations. First published in Warsaw in 1961, the 1970 Polish-to-French-to-English translation of Solaris is the best-known of Lem's English-translated works.
Solaris chronicles the ultimate futility of attempted communications with the extraterrestrial life on a far-distant planet. Solaris is almost completely covered with an ocean that is revealed to be a single, planet-encompassing organism, with whom Terran scientists are attempting communication.
Moon of Israel is a novel by Rider Haggard, first published in 1918 by John Murray. The novel narrates the events of the Biblical Exodus from Egypt told from the perspective of a scribe named Ana.
Haggard dedicated his novel to Sir Gaston Maspero, a distinguished Egyptologist and director of Cairo Museum.
His novel was the basis of a script by Ladislaus Vajda, for film-director Michael Curtiz in his 1924 Austrian epic known as Die Sklavenkönigin, or "Queen of the Slaves".
A novel is a long prose narrative.
Novel may also refer to:
1633 is an alternate history novel co-written by Eric Flint and David Weber, and sequel to 1632 in the 1632 series. 1633 is the second major novel in the series and together with the anthology Ring of Fire, the two sequels begin the series hallmarks of being a shared universe with collaborative writing being very common, as well as one—far more unusual— which mixes many canonical anthologies with its works of novel length. This in part is because Flint wrote 1632 as a stand-alone novel, though with enough "story hooks" for an eventual sequel, and because Flint feels "history is messy", and the books reflect that real life is not a smooth polished linear narrative flow from the pen of some historian, but is instead clumps of semi-related or unrelated happenings that somehow sum together where different people act in their own self-interests.
The series begins in the Modern era on May 31, 2000, during a small town wedding when the small West Virginia town of Grantville trades places in both time and geographic location with a nearly unpopulated countryside region within the Holy Roman Empire during the convulsions of the Thirty Years' War.
Solaris is a variety of grape used for white wine. It was created in 1975 at the grape breeding institute in Freiburg, Germany by Norbert Becker.
Becker created Solaris by crossing the variety Merzling (which is Seyve-villard 5276 x (Riesling x Pinot gris)) as mother vine with Gm 6493 (which is Zarya Severa x Muscat Ottonel) as the father vine. Gm 6493 was one of several crossings created in Czechoslovakia in 1964 by Professor V. Kraus. Kraus offered several of his crosses to Dr. Helmut Becker at the Geisenheim grape breeding institute, where additional work was carried out, and where his plants were given "Gm" serial numbers for Geisenheim. Gm 6493 has previously been erroneously stated to be Saperawi Severni x Muscat Ottonel but is now identified as Zarya Severa x Muscat Ottonel.
Solaris is stated as a Vitis vinifera grape, although it contains traces of hybrid grapes in its pedigree. It is an approved as a Vitis vinifera grape by EU, to grow and make wine of. It is formally listed as a Vitis vinifera cultivar. It received varietal protection in 2001.
Solaris is a 2002 American science fiction drama film written and directed by Steven Soderbergh, produced by James Cameron and Jon Landau, and starring George Clooney and Natascha McElhone. It is based on the 1961 science fiction novel of the same name by Polish writer Stanisław Lem.
Reflecting on Andrei Tarkovsky's critically acclaimed 1972 film Solaris (which was itself preceded by a 1968 Russian TV film), Soderbergh promised to be closer in spirit to Lem's novel.
The film is a meditative psychodrama set almost entirely on a space station orbiting the planet Solaris, adding flashbacks to the previous experiences of its main characters on Earth. Clooney's character struggles with the questions of Solaris' motivation, his beliefs and memories, and reconciling what was lost with an opportunity for a second chance.
Clinical psychologist Dr. Chris Kelvin is approached by emissaries for DBA, a corporation operating a space station orbiting the planet Solaris, who relay a message sent from his scientist friend Dr. Gibarian. Gibarian requests that Kelvin come to the station to help understand an unusual phenomenon but is unwilling to explain more. DBA is unsure how to proceed, as the mission to study Solaris has been sidetracked and none of the astronauts want to return home. In addition, DBA has lost contact with the security patrol recently dispatched to the station. Kelvin agrees to a solo mission to Solaris as a last attempt to bring the crew home safely.
Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet science fiction art film adaptation of Polish author Stanisław Lem's novel Solaris (1961). The film was co-written and directed by Andrei Tarkovsky. The film is a meditative psychological drama occurring mostly aboard a space station orbiting the fictional planet Solaris. The scientific mission has stalled because the skeleton crew of three scientists have fallen into separate emotional crises. Psychologist Kris Kelvin travels to the Solaris space station to evaluate the situation only to encounter the same mysterious phenomena as the others.
The original science fiction novel is about the ultimate inadequacy of communication between humans and other species. Tarkovsky's adaptation is a "drama of grief and partial recovery" concentrated upon the thoughts and the consciences of the cosmonaut scientists studying Solaris' mysterious ocean. In loyalty to the novel's complex and slow-paced narrative, Tarkovsky wanted to bring a new emotional and intellectual depth to the genre, viewing most of western science fiction as shallow. The ideas which Tarkovsky tried to express in this film are further developed in Stalker (1979).