Society for Music Theory

The Society for Music Theory (SMT) is an American organisation devoted to the promotion of music theory as a scholarly and pedagogical discipline. It currently has a membership of over 1200, primarily in the United States.

In the 1970s, few schools had dedicated music theory programs, many music theorists had been trained as composers or historians, and there was a belief among theorists that the teaching of music theory was inadequate and that the subject was not properly recognised as a scholarly discipline in its own right. A growing number of scholars began promoting the idea that music theory should be taught by theorists, rather than composers, performers or music historians. In the words of Richard Browne, a founding member of the Society and its first secretary, "Our goal was to create a profession." After a number of more informal discussions, there were two National Conferences on Music Theory, the first in Boston and the second on 19 October 1977 at Northwestern University in Evanston, Illinois. While organizers were wary about collecting enough momentum, three hundred scholars turned up for the Evanston meeting, and the society was founded with an initial membership including almost 500 theorists.

Music theory

Music theory is the study of the practices and possibilities of music. It generally derives from observation of, and involves hypothetical speculation about how musicians and composers make music. The term also describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, and refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.

The present article is about music theory properly speaking, i.e. about theories, speculations and hypotheses made about the various aspects or music. It describes the elements of music only insofar as they give way to such theories; other informations about these elements will be found in other articles such as Aspect of music and the specific parameters of music described there. Textbooks, especially in the United States of America, often also include under the term "theory" elements of musical acoustics, considerations of musical notation, techniques of (often tonal) composition (Harmony and Counterpoint), etc., which will not be dealt with as such here, but only as they were the subject of theories and hypotheses.

Society

A society is a group of people involved in persistent social interaction, or a large social grouping sharing the same geographical or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships (social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent members. In the social sciences, a larger society often evinces stratification or dominance patterns in subgroups.

Insofar as it is collaborative, a society can enable its members to benefit in ways that would not otherwise be possible on an individual basis; both individual and social (common) benefits can thus be distinguished, or in many cases found to overlap.

A society can also consist of like-minded people governed by their own norms and values within a dominant, larger society. This is sometimes referred to as a subculture, a term used extensively within criminology.

Society (disambiguation)

Society is a grouping of individuals which are united by a network of social relations, traditions and may have distinctive culture and institutions.

Society may also refer to:

See also

Society (play)

Society was an 1865 comedy drama by Thomas William Robertson regarded as a milestone in Victorian drama because of its realism in sets, costume, acting and dialogue. Unusually for that time, Robertson both wrote and directed the play, and his innovative writing and stage direction inspired George Bernard Shaw and W. S. Gilbert.

Origins

The play originally ran at the Prince of Wales's Theatre, Liverpool, under the management of Mr A. Henderson, opening on 8 May 1865. It was recommended to Effie Wilton, the manager of the Prince of Wales's Theatre in London's West End, by H. J. Byron, where it ran from 11 November 1865 to 4 May 1866 Robertson found fame with his new comedy, which included a scene that fictionalized the Fun gang, who frequented the Arundel Club, the Savage Club, and especially Evans's café, where they had a table in competition with the Punch 'Round table'. The play marked the London debut of Squire Bancroft, who went on to marry Effie Wilton in 1867 and become her co-manager.