A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.
The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.
There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.
A stunt is a difficult or unusual feat performed for film or theatre.
Stunt or Stunting may also refer to:
In radio broadcasting, stunting occurs when a station abruptly airs content that is seemingly uncharacteristic compared to what they normally play. The tactic is commonly used when a station is about to undergo a major change (such as a change in format, branding, frequency, ownership or management, or even the acquisition of a high-profile program or personality), or simply as a prank on listeners and rival broadcasters (e.g. a temporary April Fools' Day stunt that does not involve an on-air change); either way, stunting is intended as a way to generate a greater amount of media publicity and audience attention to the station, by virtue of its shock value, than a straightforward format change could provide. Depending on the station's situation and its management's preference, stunt formats can last anywhere from a few minutes to several weeks before the permanent change is launched.
A station may stunt by repeating the same song or songs over and over on a continuous loop.
Bizarre is a Canadian sketch comedy television series that aired from 1980 to 1986. The show was hosted by John Byner, and produced by CTV at the CFTO Glen-Warren Studios in suburban Toronto for first-run airing in Canada on CTV and in the United States on the Showtime premium cable network.
The series featured slapstick sketches, monologues, TV parodies, and performances by guest stand-up comics. Byner's interactions with members of the studio audience, or with show producer Bob Einstein (who often came in to halt a sketch midway through), provided an early example of removing the fourth wall. Much of the humour on the show was considered risque during the original run of the series.
The series utilized a rotating ensemble of supporting actors who backed Byner up in his sketches. Besides Einstein, this group included Philip Akin, Harvey Atkin, Cynthia Belliveau, Jack Duffy, Jayne Eastwood, Barbara Hamilton, John Hemphill, Barry Flatman, Keith Knight, Don Lake, Kathleen Laskey, Kate Lynch, Pat Morita, Debra McGrath, Mike Myers, Melissa Steinberg, Billy Van, Billy Barty, Steve Weston, and Wayne and Shuster alumnus Tom Harvey.
John Alexander Scott Coutts (9 December 1902 – 5 August 1962), better known by the pseudonym John Willie, was the artist, fetish photographer, editor, and publisher of the soft-porn cult magazine Bizarre. Willie is best known for his bondage comic strips, specifically "Sweet Gwendoline", featuring the villain Sir Dystic d'Arcy. Coutts was able to avoid controversy in censorship through careful attention to guidelines and the use of humor. Though "Bizarre" was a small format magazine, it had a huge impact on later kink publications and experienced a resurgence in popularity along with well-known fetish model, Bettie Page, in the 1980s.
John Coutts was born in 1902 to a British family in Singapore, but moved with his family to England in 1903, where he grew up during the Edwardian era. It has been suggested that the restrictive fashions worn by women of that time, such as whale-bone corsets, and the constant repression of sex and sexual desire characteristic of this era, may "go some distance to explain [Willie’s] fluency in the semiotics of dress." He is said to have had a rather typical upbringing in a middle-class family and attended the Royal Military College, Sandhurst. Although he was commissioned as a Second Lieutenant into the Royal Scots, Coutts was forced to resign in 1925 when he married a night-club hostess, Eveline Fisher, without the permission of his commanding officer. He migrated with his wife to Australia, where their marriage ended in divorce in 1930.
Bizarre is the tenth and final album by the Los Angeles, California-based R&B group The Sylvers. Released in 1984, the album was primarally produced by Leon Sylvers III along with Foster Sylvers and James Sylvers. This was their only album for Geffen Records.