Smoky may refer to:
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Smoky (c. 1943 – 21 February 1957), a Yorkshire Terrier, was a famous war dog who served in World War II. She weighed only 4 pounds (1.8 kg) and stood 7 inches (180 mm) tall. Smoky is credited with beginning a renewal of interest in the once obscure Yorkshire Terrier breed.
In February 1944, Smoky was found by an American soldier in an abandoned foxhole in the New Guinea jungle. She was already a young adult Yorkie (fully grown). The soldiers initially thought the small dog belonged to the Japanese, but after taking her to a nearby prisoner-of-war camp they realized she did not understand commands in Japanese or English. Another GI then sold Smoky to Corporal William A. Wynne of Cleveland, Ohio, for two Australian pounds (equal to $6.44 at that time)—the price paid to the seller so he could return to his poker game.
For the next two years, Smoky back-packed through the rest of the war and accompanied Wynne on combat flights in the Pacific. She faced adverse circumstances, living in the New Guinea jungle and Rock Islands, suffering the primitive conditions of tents in equatorial heat and humidity. Throughout her service, Smoky slept in Wynne's tent on a blanket made from a green felt card table cover; she shared Wynne's C-rations and an occasional can of Spam. Unlike the "official" war dogs of World War II, Smoky had access to neither veterinary medicine nor a balanced diet formulated especially for dogs. In spite of this, Smoky was never ill. She even ran on coral for four months without developing any of the paw ailments that plagued some war dogs.
Smoky is a 1966 western film, directed by George Sherman. It stars Fess Parker, Diana Hyland, Katy Jurado and Hoyt Axton.
It earned rentals in the US and Canada of $4 million.
A dome (from Latin: domus) is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy. There are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives. A lantern may cover an oculus and may itself have another dome.
Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have likewise developed over time.
Domes have been found from early Mesopotamia, which may explain the form's spread. They are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. They were popular in Byzantine and medieval Islamic architecture, and there are numerous examples from Western Europe in the Middle Ages. The Renaissance style spread from Italy in the Early modern period. Advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the modern world can be found over religious buildings, legislative chambers, sports stadiums, and a variety of functional structures.
Dôme Coffee is a franchise chain of European-style café restaurants based in Perth, Australia.
It is an extensive chain in Western Australia, with numerous locations.
Dome also has developed a number of locations in Tasmania, as well as internationally, including Dubai, Indonesia, Philippines, Malaysia, Singapore, Bahrain, Abu Dhabi and at the Malé International Airport in the Maldives.
It was founded by Patria Jafferies and Phil May in 1990.
The initial outlet was established in Napoleon St, Cottesloe in 1993. By the early 2000s it was a significant player in the larger Australian market
There are now over 100 Dôme cafés in seven countries. The corporate headquarters are in Maylands, Western Australia.
Dome is a German graffiti artist.
In 1995, Christian Krämer began to study spray painting. By the 2000s he was participated in exhibitions. In the beginning of his artistic career Krämer used a large color pallet, but since 2012 his work has been monochrome. Krämer's style has been classified as avant-garde, as he combines realistic and surreal elements.
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