Smiler (album)
Smiler is Rod Stewart's sixth album, fifth solo album and final album for Mercury Records, released in 1974 (see 1974 in music). It became the first album by Rod Stewart as a solo artist to become critically panned. Although it reached number 1 in the UK album chart, it stalled at number 13 in the US. The album was largely considered to be an unadventurous retread of what he had done before, including covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart's one attempt at adventurousness was a cover of Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. This track was selected for special derision by critics. The release of the album itself was held up for five months due to legal problems between Mercury Records and Warner Bros. Records. This album sold 1 million copies worldwide.
Musicians appearing on the album included members of Stewart's band Faces, as well as frequent collaborators Martin Quittenton (guitars), Pete Sears (bass & keyboards), and Mickey Waller (drums), who had become something of a second band for Stewart.
Smiler
Smiler(s) may refer to:
Fictional characters
Music
Other uses
See also
! (album)
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
Track listing
Personnel
The following people were involved in the making of !:
References
"@" (album)
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
Album
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Podcasts:
