IDC may refer to:
IDC is David McCarthy, a DJ/recording artist from London, UK.
A major interview feature in leading international dance music publication DJ Mag declared "Electro iconoclast IDC isn't your typical DJ/producer – he's more like a multi-instrumentalist mix between Brian Wilson and DFA's James Murphy"
IDC's releases have consistently received 5 star press reviews, starting with his debut single 'Scratch', through to the release of his debut album 'Overthrow The Boss Class' in 2008 and continuing with subsequent album and single releases.
Second album 'The Sun Is Always Shining Above The Clouds' saw the world's biggest selling dance magazine Mixmag write "IDC is back with a rich and diverse album made across five studios over 18 months" and make lead single "Eins Deux Tres" 'Tune of the Month', describing it as "a beautifully compelling collage of Beach Boys-like vocal harmonies and electronic voices."
An extensive programme of DJ dates at major music Festivals and 'Top 100' club venues have established IDC as a headline act throughout Europe and SE Asia.
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Slow, SLOW or Slowness may refer to:
Slow is a Canadian punk rock band that started in the mid-1980s. Based in Vancouver, British Columbia, the band consisted of vocalist Thomas Anselmi, guitarists Christian Thorvaldson and Ziggy Sigmund, bassist Stephen Hamm and drummer Terry Russell.
Hamm and Russell had previously been in a West Point Grey punk band called Chuck & the Fucks, playing an infamous concert at Queen Mary Elementary in the spring of 1980 where many of the teachers forced the children to leave.
They recorded and released their debut single, "I Broke the Circle", in 1985 on Zulu Records, and followed up with the EP Against the Glass in 1986. The band's style was also cited as an influence on the nascent grunge rock movement in the nearby Seattle music scene, especially on its adoption of clothing styles such as flannel shirts, ripped jeans and heavy boots.
Slow are most famous for a controversial incident which both marred the Expo 86 festivities and effectively ended the band's career, when the band were invited to play at the event's Festival of Independent Recording Artists. According to Anselmi, the band's original idea was to simply appear on stage naked, run through the crowd to a boat on False Creek and then simply disappear without playing a note; however, the band ultimately chose to put on a more typical performance. Typical, that is, for Slow – the show included Anselmi pitching two two-by-fours into the front rows' empty seats at the side of the stage, and both Anselmi and Hamm followed through on the original idea to strip. Anselmi stripped off his shirt and jeans and performed in a pair of boxers, occasionally "poking through" the front as he adjusted his underwear; at the end of the set, Hamm dropped his shorts to his knees and, with arms raised in triumph, said goodbye to the audience while naked from the waist down. Expo officials cut the power to the pavilion, ending the band's set.
Dosage is the fourth studio album by the American alternative rock band Collective Soul. The album was released on Atlantic Records in February 1999 and peaked at #21 on the Billboard albums chart. The album's title was derived from a catchphrase they used to describe burnout after their previous tour.
The first single from the album, "Heavy", gave the band another #1 hit on the Mainstream Rock Tracks chart and spent a then record-breaking 15 weeks on the top spot. "Heavy" was also featured in the opening of the video game NHL 2001 and in the 2014 Golden Corral ad. The second single released, "Run", also gained broad mainstream radioplay and was featured on the soundtrack for the 1999 film Varsity Blues.
Over nine years after the album's release, the single "Tremble for My Beloved" was featured in the 2008 film Twilight and its accompanying soundtrack.
In 2012, the band performed the album in its entirety (save "Dandy Life") during their Dosage Tour.
Dosage marked a change in recording and style for Collective Soul. Unhappy with the production and sound of the previous album Disciplined Breakdown, the band focused more on production and technique for the recording of Dosage. The result led to an arduous six-month recording period where according to guitarist Dean Roland: "The way we recorded Dosage, we were really meticulous about everything that we did for that record." More than before the band progressed to a high production pop-rock sound. This status was obvious with the extensive use of loops, Pro Tools effects, and synth-pop sounds, especially in comparison with the band's previous three albums which are more organic and raw in sound.
Danger! is the first EP by Swedish duo The Sound of Arrows. Danger! was available for free digital download from the site of the record company.
The Sound of Arrows are starting out totally unknown so they’ve only brought in friends this time. Cotton Crew, Panache and Mr Pedro go for the electro-pumping sound. The version by Ice Cream Shout instead takes the route of super-mega twee. Complete with ukuleles and toypianos.
All songs written and composed by The Sound of Arrows.