Slide (musical ornament)
The slide (Schleifer in German, Coulé in French, Superjectio in Latin) is a musical ornament often found in baroque musical works, but used during many different periods. It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the initial and final notes. Though less frequently found, the slide can also be performed in a descending fashion.
History
In The Interpretation of Early Music, Robert Donington surveys many treatises to ascertain the history of the slide. Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms.Christopher Simpson described the figure in his Division Violist: "Sometimes a note is graced by sliding to it from the third below, called an 'elevation', now something obsolete. Sometimes from the third above; which we call a double-backfall. This sliding a third, up, or down, is always done upon one string."Thomas Mace (1676) notes that the + sign above a note indicates its use.
Transformers (toy line)
The Transformers (トランスフォーマー, Toransufomā) is a line of toys produced by the Japanese company Takara (now known as Takara Tomy) and American toy company Hasbro. The Transformers toyline was created from toy molds mostly produced by Japanese company Takara in the toylines Diaclone and Microman. Other toy molds from other companies such as Bandai were used as well. In 1984, Hasbro bought the distribution rights to the molds and rebranded them as the Transformers for distribution in North America. Hasbro would go on to buy the entire toy line from Takara, giving them sole ownership of the Transformers toy-line, branding rights, and copyrights, while in exchange, Takara was given the rights to produce the toys and the rights to distribute them in the Japanese market. The premise behind the Transformers toyline is that an individual toy's parts can be shifted about to change it from a vehicle, a device, or an animal, to a robot action figure and back again. The taglines "More Than Meets The Eye" and "Robots In Disguise" reflect this ability.
Pistol slide
The slide is the part of the weapon on a majority of semi-automatic pistols that moves during the operating cycle and generally houses the firing pin or striker and the extractor, and serves as the bolt. It is spring-loaded so that once it has moved to its rearmost position in the firing cycle, spring tension brings it back to the starting position chambering a fresh cartridge during the motion provided that the magazine is not empty.
Through the principles of recoil or blowback operation, the slide is forced back with each shot. Generally, this action serves three purposes: ejecting the spent casing, cocking the hammer or striker for the next shot, and loading another cartridge into the chamber when the slide comes forward.
Once the magazine and chamber both are empty, the slide will lock back, released only when the slide stop is depressed; if a new magazine is inserted before the slide stop is depressed then a new cartridge will be chambered.
Some handguns also utilise the slide stop as a means of releasing the slide, when the slide stop is held upwards for purposes such as field stripping eliminating the need for any further lock mechanisms and the room that these may use inside the gun.
Lunik
Lunik is a band from Switzerland. There are currently three members.
Lunik started in 1997 with Adi Amstutz, Luk Zimmermann, Mats Marti, Walo Müller and Anton Höglhammer. Singer Jaël joined the band in 1998 and Anton Höglhammer left the line-up. 1999 saw the release of their debut album Rumour, recorded largely in an atmospheric trip hop style. Bassist Walo Müller left the band after the accompanying tour, and the second album Ahead (2001) saw the band steering towards a pop sound. Oli Müller supported the band as bassist in the live performances, and Adi Amstutz left the band.
The third album Weather (2003) was a huge success in Switzerland, with an acoustic approach from Jaël, Luk, and Mats replacing the electronica of the earlier albums. Cédric Monnier (keyboards) and Jacob Suske (bass) joined the band as supporting players on the acoustic tour for Weather. A live album, Life is On Our Side, appeared in 2004. Cédric Monnier and Jacob Suske joined the official line-up in 2005, and Mats Marti departed at the same time. In the beginning of 2006, Chrigel Bosshard joined Lunik as the new drummer, but left the band at the end of 2011. Jacob Suske (bass) left the band again in September 2008.
Luna 2
Luna 2 (E-1A series) was the second of the Soviet Union's Luna programme spacecraft launched to the Moon. It was the first spacecraft to reach the surface of the Moon, and the first man-made object to land on another celestial body. On September 14, 1959, it successfully impacted east of Mare Imbrium near the craters Aristides, Archimedes, and Autolycus.
Launch was scheduled for September 9, but the Blok I core stage was shut down after it failed to reach full thrust at ignition. The booster was removed from the pad and replaced by a different vehicle, delaying the flight by three days. Luna 2, like Luna 1, took a direct path to the Moon, a journey of around 36 hours. The Earth-Moon gravitational system forced it to follow a curved trajectory, and launch had to occur from the side of the Earth opposite the Moon. Luna 2 hit the Moon about 800 kilometres from the centre of the visible disk 1959 September 13 at 21:02:24.
Luna 2 was similar in design to Luna 1, a spherical spacecraft with protruding antennas and instrument parts. The instrumentation was also similar to Luna 1, including scintillation counters, geiger counters, a magnetometer, Cherenkov detectors, and micrometeorite detectors. There were no propulsion systems on Luna 2 itself.
Luna 7
Luna 7 (E-6 series) was an unmanned space mission of the Soviet Luna program, also called Lunik 7. The Luna 7 spacecraft was intended to achieve a soft landing on the Moon. However, due to premature retrofire and cutoff of the retrorockets, the spacecraft impacted the lunar surface in Oceanus Procellarum.
Unlike its predecessors, Luna 7 successfully carried out its mid-course correction on October 5 on the way to the Moon, in anticipation of a soft-landing two days later. However, immediately prior to planned retro-fire during the approach to the lunar surface, the spacecraft suddenly lost attitude control and failed to regain it. Automatic programmed systems then prevented the main engine from firing. As controllers observed helplessly, Luna 7 plummeted to the lunar surface at a very high speed, crashing at 22:08:24 UT on October 7, 1965, west of the Kepler crater, relatively near the actual intended target. Impact coordinates were 9°N 49°W / 9°N 49°W / 9; -49. Later investigation indicated that the optical sensor of the astronavigation system had been set at the wrong angle and had lost sight of Earth during the critical attitude-control maneuver. It was the tenth consecutive failure in the Ye-6 program.
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