Slap!

Slap! is the fourth studio album by anarchist punk band Chumbawamba. It was a radical redefinition of the band's sound and attitude. The songs now inspired dancing more than moshing, and the lyrics were celebratory as opposed to victimist.

Track listing

Personnel

with:

also appearing on this record are: Carl Douglas, Elvis Presley, Mark E. Smith, Dagmar Krause, Philip Glass, Adam Ant, Ladysmith Black Mambazo, George Gershwin, Penny Rimbaud, Jake Burns, Rob 'n' Raz, Lenny Bruce, Muszikas Ensemble, Mark Perry, Gang of Four, and Poly Styrene.

References

Slapping (strike)

Slapping or smacking refers to striking a person with the open palm of the hand.

Etymology and definitions

The word was first recorded in 1632, probably as a form of Onomatopoeia. It shares its beginning consonants with several other English words related to violence, such as "slash", "slay", and "slam". The word is found in several English colloquialisms, such as, "slap fight", "slap-happy", "slapshot", "slapstick", "slap on the wrist" (as a mild punishment), "slap in the face" (as an insult or, alternatively, as a reproof against a lewd or insulting comment), and "slap on the back" (an expression of friendship or congratulations). A slap with the back of the hand is typically identified as a "backhand slap" and, on occasion, a "pimp slap." In jazz and other styles of music, the term refers to the action of pulling an instrument's strings back and allowing them to smack the instrument (see Slapping (music)).

"Bitch slap" is African-American slang that dates back to the 1990s. It is used to mean killing a woman, or to refer to a woman hitting a man, or a woman or gay man haranguing somebody, or a man hitting someone else in an effeminate way. Bitch slap has also been used in American prisons since the 1990s to refer to slapping instead of punching, with the implication that the perpetrator isn't "man enough" to deliver a closed-fist punch.

Slap (song)

"Slap" is the fourth single from Ludacris' fifth album Release Therapy (2006).

Song information

"Slap" is an account of poverty on Bush America. Its narrator explains that he is feeling tired about working a lot and getting a low wage, and because of this, he has thoughts about beating (in the uncensored version, killing) his boss. His frustration is then explained to be bigger than that: his best friend was murdered just a day before. He also explains that he has thoughts about robbing a bank to have enough money to feed his newborn baby. Later, at the end of the song, his car is robbed and he expresses an ever bigger disappointment at the government. According to Allmusic reviewer Marisa Brown, Ludacris' character in the song has these thoughts because he is suffering from depression.

Music video

The music video was released early in 2007. It is based on Martin Scorsese's Taxi Driver, with Ludacris as Travis Bickle, with many references to the movie, including Ludacris kicking over his TV while watching President Bush and doing the iconic "You talkin' to me?" in an interlude. The video shows Ludacris as a taxi driver (wearing the same jacket as Robert De Niro) and the video ends with Ludacris storming a brothel and punching the bouncer and a prostitute's customer, in a similar fashion to Taxi Driver's ending, but without the use of guns. It is dedicated to Ludacris' father and best friend Wayne Bridges as it is said at the end of the video. In the scene where Ludacris is working out he is seen wearing a fan t-shirt of the Paratroopers Brigade of the Israel Defense Forces.

Pitch (baseball)

In baseball, a pitch is the act of throwing a baseball toward home plate to start a play. The term comes from the Knickerbocker Rules. Originally, the ball had to be literally "pitched" underhand, as with pitching horseshoes. Overhand throwing was not allowed until 1884.

The biomechanics of pitching have been studied extensively. The phases of throwing include windup, early cocking, late cocking, early acceleration, late acceleration, deceleration, and follow-through.

Pitchers throw a variety of pitches, each of which has a slightly different velocity, trajectory, movement, hand position, wrist position and/or arm angle. These variations are introduced to confuse the batter in various ways, and ultimately aid the defensive team in getting the batter or baserunners out. To obtain variety, and therefore enhance defensive baseball strategy, the pitcher manipulates the grip on the ball at the point of release. Variations in the grip cause the seams to "catch" the air differently, thereby changing the trajectory of the ball, making it harder for the batter to hit.

Flight dynamics

Flight dynamics is the study of the performance, stability, and control of vehicles flying through the air or in outer space. It is concerned with how forces acting on the vehicle influence its speed and attitude with respect to time.

In fixed-wing aircraft, the changing orientation of the vehicle with respect to the local air flow is represented by two critical parameters, angle of attack ("alpha") and angle of sideslip ("beta"). These angles describe the vector direction of airspeed, important because it is the principal source of modulations in the aerodynamic forces and moments applied to the aircraft.

Spacecraft flight dynamics involve three forces: propulsive (rocket engine), gravitational, and lift and drag (when traveling through the earths or any other celestial atmosphere). Because aerodynamic forces involved with spacecraft flight are very small, this leaves gravity as the dominant force.

Aircraft and spacecraft share a critical interest in their orientation with respect to the earth horizon and heading, and this is represented by another set of angles, "yaw," "pitch" and "roll" which angles match their colloquial meaning, but also have formal definition as an Euler sequence. These angles are the product of the rotational equations of motion, where orientation responds to torque, just as the velocity of a vehicle responds to forces. For all flight vehicles, these two sets of dynamics, rotational and translational, operate simultaneously and in a coupled fashion to evolve the vehicle's state (orientation and velocity) trajectory.

Pitch (music)

Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch can only be determined in sounds that have a frequency that is clear and stable enough to distinguish from noise. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre.

Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system.

Perception of pitch

Pitch and frequency

Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but the two are not equivalent. Frequency is an objective, scientific attribute that can be measured. Pitch is each person's subjective perception of a sound, which cannot be directly measured. However, this does not necessarily mean that most people won't agree on which notes are higher and lower.