Coil

Coil may refer to:

Science, technology and medicine

Music

Other uses

People with the surname

See also

Coil (band)

Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.

The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.

In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.

Coil (album)

Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.

This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.

Track listing

Studio outtakes

Slant

Slant can refer to:

Slant (route)

A slant route is a pattern run by a receiver in American football, where the receiver runs up the field at approximately a 45-degree angle, heading to the gap between the linebackers and the linemen. Usually, the pass is used when the corner or nickelback are playing farther away from the receiver, so a quick pass is able to be completed before the defender has time to try to break up the pass. The pass is used frequently in the West Coast system, where quick, accurate throwing is key. This route is most commonly used to exploit the cover 2 defense. Usually throwing in the seam between the safety and the cornerback is the key to getting a completion using this route.

Slant (handwriting)

Slant is the predominant angle of the downward stroke in Western handwriting. A good basis for its estimation is the point of the handwritten curve where the velocity has its peak value in the downward stroke. The polar distribution of the running angle along a handwritten trajectory is another good method for estimating the slant angle. Left-handed writing is often accompanied by a slant value which is larger than 90 degrees, i.e., it is bent backwards, to the left.

In Graphology slant can refer to either upstroke or downstroke values. These strokes can made in the upper, middle, lower, or any combination of those zones.

In handwriting recognition, an affine transformation can be used to normalize handwritten input towards a population average or towards 90 degrees.

See also