Slide (musical ornament)
The slide (Schleifer in German, Coulé in French, Superjectio in Latin) is a musical ornament often found in baroque musical works, but used during many different periods. It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the initial and final notes. Though less frequently found, the slide can also be performed in a descending fashion.
History
In The Interpretation of Early Music, Robert Donington surveys many treatises to ascertain the history of the slide. Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms.Christopher Simpson described the figure in his Division Violist: "Sometimes a note is graced by sliding to it from the third below, called an 'elevation', now something obsolete. Sometimes from the third above; which we call a double-backfall. This sliding a third, up, or down, is always done upon one string."Thomas Mace (1676) notes that the + sign above a note indicates its use.
Slide (footwear)
A slide is a shoe that is backless and open-toed, essentially an open-toed mule. Generally, all slides are not sandals. Thongs and flip flops are normally classified separately. Slides can be high-heeled, flat-heeled or somewhere in between, and may cover nearly the entire foot from ankle to toe, or may have only one or two narrow straps. They usually include a single strap or a sequence of straps across the toes and the lower half of the foot to hold the shoe on the foot. The term is descriptive in that this shoe is easy to 'slide' on and off the foot when the wearer wants to do so.
References
Jig
The Jig (Irish: port) is a form of lively folk dance in compound meter, as well as the accompanying dance tune. It developed in 16th-century England, and was quickly adopted on the Continent where it eventually became the final movement of the mature Baroque dance suite (the French gigue; Italian and Spanish giga). Today it is most associated with Irish dance music, Scottish country dance and the Métis people in Canada. Jigs were originally in duple compound meter, (e.g., 12
8 time), but have been adapted to a variety of time signatures, by which they are often classified into groups, including light jigs, slip jigs, single jigs, double jigs, and treble jigs.
Origins
The term jig was probably derived from the French giguer, meaning 'to jump' or the Italian giga. It was known as a dance in 16th-century England, often in 12
8 time, and the term was used for a post-play entertainment featuring dance in early modern England, but which 'probably employed a great variety
of dances, solo (suitable for jigs), paired, round, country or courtly': in Playford's Dancing Master (1651) 'the dance game in ‘Kemps Jegg’ is a typical scenario from a dramatic jig and it is likely that the combination of dance metre for steps and non-metrical passages for pantomime indicates how a solo or ensemble jig might have been danced by stage players.' Later the dance began to be associated with music particularly in 6
8 time, and with slip jigs 9
8 time.
Ritual (Shaaman album)
Ritual is the first album by the Brazilian heavy metal band Shaman. It was first released in 2002, and it is a concept album, about many cultures, mainly indigenous cultures and shamanism. The album sold over 500,000 copies worldwide since its release.
Track listing
All lyrics by Andre Matos.
Line up
Guests
Ritual (Pinner novel)
Ritual is a horror novel by British actor and author David Pinner, first published in 1967.
Plot
The protagonist of Ritual is an English police officer named David Hanlin. A puritanical Christian, Hanlin is requested to investigate what appears to be the ritualistic murder of a local child in an enclosed rural Cornish village. During his short stay, Hanlin deals with psychological trickery, sexual seduction, ancient religious practices and nightmarish sacrificial rituals.
Writing
When Pinner was 26, he had just written the vampire comedy Fanghorn, and was playing the lead role of Sergeant Trotter in Agatha Christie's The Mousetrap in the West End of London. He decided to write a film treatment that dealt with the occult (like Fanghorn) but which was also a detective story (like The Mousetrap). Film director Michael Winner liked Pinner's Ritual treatment, and considered making it his next film, with English actor John Hurt in mind for the lead role. However, Winner deemed the treatment to be "too full of imagery", and Pinner's agent, Jonathan Clowes, felt that Winner might sit on the project for a long time. The collaboration came to a halt.
Slant (route)
A slant route is a pattern run by a receiver in American football, where the receiver runs up the field at approximately a 45-degree angle, heading to the gap between the linebackers and the linemen. Usually, the pass is used when the corner or nickelback are playing farther away from the receiver, so a quick pass is able to be completed before the defender has time to try to break up the pass. The pass is used frequently in the West Coast system, where quick, accurate throwing is key. This route is most commonly used to exploit the cover 2 defense. Usually throwing in the seam between the safety and the cornerback is the key to getting a completion using this route.
Slant (handwriting)
Slant is the predominant angle of the downward stroke in Western handwriting. A good basis for its estimation is the point of the handwritten curve where the velocity has its peak value in the downward stroke. The polar distribution of the running angle along a handwritten trajectory is another good method for estimating the slant angle. Left-handed writing is often accompanied by a slant value which is larger than 90 degrees, i.e., it is bent backwards, to the left.
In Graphology slant can refer to either upstroke or downstroke values. These strokes can made in the upper, middle, lower, or any combination of those zones.
In handwriting recognition, an affine transformation can be used to normalize handwritten input towards a population average or towards 90 degrees.
