Slam
File:Slam.jpg
Directed by Marc Levin
Produced by Marc Levin, Henri M. Kessler, Blowback Productions
Written by Marc Levin
Richard Stratton
Saul Williams
Sonja Sohn
Bonz Malone
Starring Saul Williams, Sonja Sohn, Marc Levin, Bonz Malone Beau Sia
Distributed by Trimark Pictures
Release date(s) January 20, 1998 (Sundance)
October 7, 1998 (USA)
April 9, 1999 (UK)
Running time 100 min.
Language English

Slam is a 1998 independent film starring Saul Williams and Sonja Sohn. It tells the story of a young African-American man whose talent for poetry is hampered by his social background. It won the Grand Jury Prize for a Dramatic Film at the 1998 Sundance Film Festival.

Synopsis [link]

Raymond Joshua (played by Saul Williams) is a young man growing up in the Southeast Washington D.C. area known as Dodge City. Despite his innate gift for poetry and his aspiration to be a rapper, he finds it difficult to escape the pressures of his surroundings: violence and drug dealing.

While participating in a drug deal gone bad, Ray's close friend is shot, and Ray is caught by the police and sent to prison. When his lawyer explains the judicial system & his 'options' (or lack thereof) Ray despairs, particularly as he is being pressured to participate in a drug culture "inside" very similar to what he was a part of "outside." Ray is unwilling to take a "side", unwilling to believe that his options are limited to the choices he's being presented with.

When threatened with violence in the prison yard, he retaliates with words, speaking the truths that he's witnessed in the form of a poetic rap meant to show the other inmates how their power and energy is being diverted into petty struggles with each other, rather than being directed toward the real enemy, the system that is keeping them down.

In prison, he participates in the writing class of teacher Lauren Bell (Sonja Sohn), whom he comes to respect and admire. She advises him to pay more attention to his talents.

When Ray is unexpectedly released on bail for a few days prior to his court date by an incarcerated drug dealer whom Ray had inspired with his revolutionary ideas. Ray is able to convince his friends, and their Dodge City crew, not to retaliate with more violence for the shooting - to break the cycle instead. He explains that the "projects" where they all live and die are a government experiment and that continuing to kill each other is exactly what those who set up the experiment want them to be doing.

On the outside, he also reunites with Bell, and is welcomed into her circle of friends at a poetry reading at her home. They wind up spending the night together despite her reservations about the future, as he asks her "only for now". The next day, she urges him to settle his legal troubles by agreeing to serve a year or two of time, rather than fighting the charges and potentially being put away for much, much longer.

They quarrel, because Ray feels that Bell doesn't understand his situation. He leaves, but shows up that night at a poetry slam event in D.C. that Bell had invited him to, just in time to see her perform an extremely powerful and empathetic piece that was clearly written for him. When the crowd demands an encore, she invites Ray onto the stage to perform instead, and he delivers an impromptu dramatic poem - scrawled as he crossed the city on public transit, on his way to the slam - an emotional piece about black males and the criminal justice system. When the crowd demands an encore, Ray tells Lauren he needs to get some air, then leaves again.

He wanders the streets until he is drawn to the Washington Monument - which seems to symbolize all that he is up against.

Soundtrack [link]

A soundtrack containing hip hop music was released on October 13, 1998 by Epic Records. It peaked at 84 on the Billboard 200 and 24 on the Top R&B/Hip-Hop Albums.

External links [link]

Awards
Preceded by
Sunday
Sundance Grand Jury Prize: Dramatic
1998
Succeeded by
Three Seasons

https://wn.com/Slam_(film)

Slam (Big Dipper album)

Slam is the third and final full-length album from Boston band Big Dipper. The album was released in 1990 on Epic Records.

Track listing


Slam (Onyx song)

"Slam" was the second single released from Onyx's debut album, Bacdafucup. Released on May 11, 1993, "Slam" was Onyx's breakthrough single, making it to number 4 on the US Billboard 100 and was the group's second straight single to make it to number 1 on the Rap charts.

The main chant of the song's chorus is a variation of the vocal and organ intro to the much-sampled instrumental "The Champ" by The Mohawks.

The official remix, entitled "Slam (Bionyx remix)" was a collaboration with heavy metal band, Biohazard. It was first released on a maxi-single entitled Slam: The Alternatives and later appeared on Biohazard's Tales from the B-Side. Music videos for both the original and the Bionyx remix were released

The single was first certified gold on July 7, 1993, before being certified platinum on August 10, 1993. It sold over 900,000 copies.

The song has been used in movies such as How High and TV shows such as The Cleveland Show and Tosh.0 as well as numerous commercials, including SoBe and Gatorade.

Onyx

Onyx is a banded variety of the oxide mineral chalcedony. Agate and onyx are both varieties of layered chalcedony that differ only in the form of the bands: agate has curved bands and onyx has parallel bands. The colors of its bands range from white to almost every color (save some shades, such as purple or blue). Commonly, specimens of onyx contain bands of black and/or white.

Etymology

Onyx comes through Latin (of the same spelling), from the Greek ὄνυξ, meaning "claw" or "fingernail". With its fleshtone color, onyx can be said to resemble a fingernail. The English word "nail" is cognate with the Greek word.

Varieties

Onyx is formed of bands of chalcedony in alternating colors. It is cryptocrystalline, consisting of fine intergrowths of the silica minerals quartz and moganite. Its bands are parallel to one another, as opposed to the more chaotic banding that often occurs in agates.

Sardonyx is a variant in which the colored bands are sard (shades of red) rather than black. Black onyx is perhaps the most famous variety, but is not as common as onyx with colored bands. Artificial treatments have been used since ancient times to produce both the black color in "black onyx" and the reds and yellows in sardonyx. Most "black onyx" on the market is artificially colored.

Onyx (Pop Evil album)

Onyx is a rock opera and the fourth studio album by Pop Evil. It was released on May 14, 2013. The first single, "Trenches", was released February 28, 2013. The album was available for streaming a day before its official release date. It was produced by Johnny K, mixed by Jay Ruston, and mastered by Paul Logus. Additional vocal production was performed by Dave Bassett. Additional programming was done by Bassett and Matt Doughtery.

The album debuted on the Billboard 200 at No. 39, No. 9 on the Independent Albums chart, with 10,000 copies sold in its first week. It has sold 122,000 copies in the United States as of July 2015.

Track listing

Charts

Album

Singles

Band

  • Leigh Kakaty – lead vocals
  • Nick Fuelling – lead and rhythm guitar
  • Dave Grahs – rhythm and lead guitar, backing vocals
  • Matt DiRito – bass, backing vocals
  • Josh Marunde – drums
  • References

    External links

  • Pop Evil track listing. underthegunreview.net.
  • USS Onyx (PYc-5)

    USS Onyx (PYc-5), was a diesel coastal patrol yacht of the United States Navy during World War II.

    The ship was built in 1924 as Janey III by Consolidated Shipbuilding Corp. of Morris Heights, New York, and was subsequently renamed Rene and Pegasus.

    Purchased by the Navy on 3 December 1940 from Clifford C. Hemphill, of New York City, converted to Navy use and named Onyx, she was classified as a coastal yacht on 13 December 1940, and commissioned on 27 February 1941.

    Service history

    After conversion she departed New York for Norfolk, arriving on 22 March. Sailing again, she reached New Orleans on 5 April to report for duty to Commandant 8th Naval District. Onyx performed services for ComEight as a coastal patrol vessel around the Gulf area until January 1942. On 22 January she departed Key West, Florida to return to New York and arrived there on 31 January.

    Onyx was again ordered to report to the 8th Naval District at New Orleans and was underway by 13 March, arriving on 27 March. She resumed services and continued in this capacity until February 1944 when she was extensively damaged in a collision. Beyond economic repair, her ordnance was removed and she was placed out of commission, in service, retaining her name and designation, on 15 May 1944. She was designated a target vessel on 31 May, the same year, and made available for disposition on 31 October.

    Podcasts:

    PLAYLIST TIME:

    SLAM!

    by: Onyx

    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    Well here's another one (WHAT!)
    In the gutter one (WHAT!)
    Getting running up
    Troblesome extra double double I come to feed them
    The feed em then I shreed em
    So what if that I'm cheating.
    And where's everyone when I sound(YA) gwan now (yeah)
    I'm gonna show you how come on (ALL AND TOGETHER NOW!)
    Yeaah, ohh yeaah!
    YEAH!
    That's how we gotta be
    so stop trying to beat loud as me cause you can't do that
    Think about the payoffer so left with an automatic rifle
    For last against the lighting last bullets first
    On Line
    Toughest step and a rep and a run rep and a run wreck and a swine
    Peace to the brothers on break his sign
    Pumping up a tremple and didn't like his
    criminal lickin' buck my eye,
    Oh my god I'm so high
    Just they say a Rodney say you like a criminum, what!?
    Just they say to make get
    Making milliangh, children SLAM! Slam!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    I'm the mean nasty grease smashing ever slow gashing (Ooohh)
    Sticky swift blast of the basty
    Of the basty basty bast bashing (Aaahh)
    Then I provide I provide the you was cheat.
    Beside the getto five
    Mak me feel like Jekly and Hyde OF CORSE
    I come across with no fear
    For sure!
    Un-adult un-rated un-conformed
    Digusted, busted you wanna touch it.
    To hot! You forgot, you're not ready
    You're head could get ruptered.
    Hit between the eye
    I planned the plan alive
    I'm the plonic sonic
    UH RULE WITH THE BADS GUYS
    The villian (JUU), crooks (UUU),hot midas in confide us.
    See the big jerk put you look inside us,
    My mind, it's graphic, expresstic graphic
    So kill the cop because it's kept all mastic
    Directin' it
    When y`all least expected it
    And thought it was safe ONYX hit you in the face so,
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    (STICKY FINGAZ)
    I'm a b-boy
    Standin in my b-boy stance
    Hurry up and give me the microphone before I bust in my pants
    The mad author of anguish
    My language, Polluted
    Onyx is heavyweight (Sonsee: And still undisputed!!)
    He took the words right out my mouth and walked a mile in my shoes
    I've paid so many dues, I feel used and abused
    And I'm.... so confused
    umm, excuse me, for example
    I'm the inspiration, for a WHOLE generation
    And unless you got 10 SSsssticky Fingers
    Its straight immitation
    A figment, of your imagination
    But but but but wait it gets worse!!
    I'm not watered down so I'm dyin of thirst
    Comin thru wit a scam, a fullproof plan
    B-boys make some noise, and just, JUST SLAM!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!
    SLAM! duuh duuh duuh, duuh duuh duuh Let the boys be boys!




    ×