Skunkworks is an alternative rock album released in 1996 by Bruce Dickinson.
Originally, Bruce intended for Skunkworks to be the debut album of a band by the same name. However, the label would not publish the record under any other name than Bruce Dickinson. The album moved even further away from the progressive sound of his former band Iron Maiden into an alternative rock sound similar to bands such as Soundgarden. However, the support tour for the album was the first time Dickinson included a song from his former band, a slightly reworked version of "The Prisoner." Many of the songs lyrics are about science and technology. The band didn't last and for his next solo project, Accident of Birth, he teamed up again with guitarist Roy Z (from Balls to Picasso). The album was produced by Jack Endino, best known for producing Nirvana's first album. The album name refers to the code name for the military testing program.
In 2005, Skunkworks was re-released and the 2005 extended version included songs performed live, such as "Inertia", "Faith", "Innerspace", "The Prisoner" and other previously unreleased songs.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.