Kino may refer to:
In film and theatre: (from the Norwegian, German and the Russian spelling of cine for cinema)
In music:
Kino was a free software GTK+-based video editing software application for Linux and other Unix-like operating systems. The development of Kino was started at the end of 2000 by Dan Dennedy and Arne Schirmacher. The project's aim was: "Easy and reliable DV editing for the Linux desktop with export to many usable formats." The program supported many basic and detailed audio/video editing and assembling tasks.
Kino has been included in several Linux distributions, including Debian, Puppy Linux and Ubuntu.BSD ports are also available.
Development towards major feature implementations in Kino was slowed due to the lead developer, Dan Dennedy's inclination towards the development of Media Lovin' Toolkit. Dennedy indicated when he released Kino 1 that he was returning to work on the MLT Framework to support Kdenlive (another Linux non-linear digital video editor), "since its latest version shows much promise."
As of August 5, 2013, the official website for Kino indicated that the project is "dead" and that users should try alternative software.
Kino is the name of the plant gum produced by various plants and trees, particularly Eucalyptus, in reaction to mechanical damage, and which can be tapped by incisions made in the trunk or stalk. Its red colour, together with the tendency of some species to ooze large amounts of it from wounds, is the source of the common names "red gum" and "bloodwood". The word “kino” is of West African origin.
Astringent tannin compounds are a major active component of kinos. The chief constituent of kino is kinotannic acid, of which it contains 70 to 80 per cent. It also contains kino red, a phlobaphene produced from kinotannic acid by oxidation. Kino also yields kinoin, a crystalline neutral principle.
In cold water it is only partially dissolved, leaving a pale flocculent residue which is soluble in boiling water but deposited again upon cooling. It is soluble in alcohol and caustic alkalis, but not in ether.
When exuding from the tree, it resembles red-currant jelly, but hardens in a few hours after exposure to the air and sun. Kinos typically dry to an amber-like material. It consists of dark red angular fragments, rarely larger than a pea. Of the small angular glistening fragments, the smaller are reddish, and the larger are almost black; thin pieces are ruby red. It is brittle and easily powdered. It has no smell, but a very astringent taste.
A hip hop skit is a form of sketch comedy that appears on a hip hop album or mixtape, and is usually written and performed by the artists themselves. Skits can appear on albums or mixtapes as individual tracks, or at the beginning or end of a song. Some skits are part of concept albums and contribute to an album's concept. Skits also occasionally appear on albums of other genres.
The hip-hop skit was more or less pioneered by De La Soul and their producer Prince Paul who incorporated many skits on their 1989 debut album 3 Feet High and Rising.
The Hip Hop Skit although dominant throughout the 90s and the early 2000s began to be phased out in the later half of the 2000s and the early 2010s. Reasons for this include the popularity of MP3 as well as the invention of the iPod Shuffle, which could only play tracks in a random order.
Writing for The AV Club, Evan Rytlewski opined that skits may have originally been in vogue because an expanded tracklisting would look more appealing to would be buyers, although he noted that their first inclusion on a De La Soul record was most likely just them being "eccentric".