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Aztec Camera | |
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Origin | Glasgow, Scotland, United Kingdom |
Genres | New Wave, alternative rock, post-punk[1] |
Years active | 1980–1995 |
Labels | Postcard, Sire/Warner Bros. |
Associated acts | Roddy Frame |
Aztec Camera were a Scottish New Wave band from the Glasgow suburb of East Kilbride, formed in 1980 and centered around teenage singer-songwriter, Roddy Frame.[2] Their album Love was among the nominations for Best British Album at the 1989 BRIT Awards.[2]
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The band's line-up changed numerous times in its first few years. The constant member has been guitarist / vocalist / singer-songwriter Roddy Frame. Founding members included Campbell Owens (bass) and Dave Mulholland (drums).[1] Craig Gannon and Rob Cremona were members from 1983 to 1984. Guitarist Malcolm Ross (formerly of Josef K and Orange Juice) joined the band in 1984, and played on the Knife album. By the time of their third album, Love (1987), Frame was the only de facto member of the band: this and future albums credited to Aztec Camera were actually performed by Frame and studio musicians hired on a track-by-track basis.
The band first appeared on a Glasgow cassette-only compilation of local unsigned bands on the Pungent Records label, affiliated with the Fumes Fanzine run by Danny Easson and John Gilhooly, who championed several Glasgow bands before they hit the big time.[citation needed]
The band's first UK 7" single was released by Glasgow based indie label Postcard Records in March 1981, and contained the songs "Just Like Gold" and "We Could Send Letters". An acoustic version of the latter song appeared on the influential C81 compilation cassette, released by NME in early 1981. A second single, "Mattress Of Wire", was also the last Postcard Records release before the group signed for fellow independent record label, Rough Trade. U.S. releases were on Sire Records.
Aztec Camera's debut album, High Land, Hard Rain, was produced by John Brand and released in April 1983.[1] The album was successful, gathering significant critical acclaim for its well-crafted, multi-layered pop. The band went on to release a total of six albums, although most of these were essentially written and played by Frame. The albums included Knife (1984), Love (1987), Stray (1990), Dreamland (1993) and Frestonia (1995).[1] In 1990, Aztec Camera contributed the song "Do I Love You?" to the Cole Porter tribute album Red Hot + Blue produced by the Red Hot Organization, the proceeds from which benefited AIDS research.
After the release of Aztec Camera's sixth album, Frestonia, Frame finally decided to record under his own name, and left the major record label, WEA.
Popular songs by Aztec Camera include "Oblivious", "Still On Fire", "Walk Out to Winter", "Somewhere in My Heart", and "Good Morning Britain" (a duet with former The Clash guitarist Mick Jones). "Somewhere in My Heart", the second single from Love, remains their biggest hit, reaching #3 on the UK Singles Chart. "Good Morning Britain" was considered to be a comeback for them, as previous single "The Crying Scene" had only reached #70 in the UK.[2]
A 'Best of' collection was released in 1999.
Roddy Frame – guitar, harmonica, vocals (1981–1995)
Year | Single | UK Singles Chart[2][6] | UK Indie Chart | U.S. Modern Rock | Australia[7] | Album |
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1981 | "Just Like Gold" | - | 10 | - | - | - |
1981 | "Mattress of Wire" | - | 8 | - | - | - |
1982 | "Pillar to Post" | - | 4 | - | - | High Land, Hard Rain |
1983 | "Oblivious" | 47 | 1 | - | - | High Land, Hard Rain |
1983 | "Walk Out to Winter" | 64 | 3 | - | - | High Land, Hard Rain |
1983 | "Oblivious" (re-issue) | 18 | - | - | - | High Land, Hard Rain |
1984 | "All I Need Is Everything" | 34 | - | - | - | Knife |
1984 | "Still on Fire" | 83 | - | - | - | Knife |
1985 | "Backwards and Forwards" | - | - | - | - | Knife |
1987 | "Deep & Wide & Tall" | 79 | - | - | - | Love |
1988 | "How Men Are" | 25 | - | - | - | Love |
1988 | "Somewhere in My Heart" | 3 | - | - | 34 | Love |
1988 | "Working in a Goldmine" | 31 | - | - | - | Love |
1988 | "Deep & Wide & Tall" (re-issue) | 55 | - | - | - | Love |
1990 | "The Crying Scene" | 70 | - | 3 | - | Stray |
1990 | "Good Morning Britain" | 19 | - | 12 | - | Stray |
1992 | "Spanish Horses" | 52 | - | - | - | Dreamland |
1993 | "Dream Sweet Dreams" | 67 | - | - | - | Dreamland |
1993 | "Birds" | - | - | - | - | Dreamland |
1995 | "Sun" | 136 | - | - | - | Frestonia |
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Words and music by Roddy Frame
So you appear and say how I've grown
and fill me up with faces I've known.
In this light they're far from divine
I'll save them up and spend them when I have time.
The salted taste of all your tears and woes
Sent me in haste my melancholy rose
Those tasteless lips were closed
You watched me come, you'll see me go.
Once I was happy in happy extremes
Packing my bags for the path of the free
From pillar to post I am driven it seems
These bitter tokens are worthless to me
Just like June the curtains are closed
The ghost of shame he sits here and sighs
I'll love the flames like I've loved the cold
I'll learn to love the life of the "could I, could I, could I"
So I don't cross my fingers any more
You looked for rags and found them at your door
How could you ask for more
Than everything you've heard before?
Once I was happy in happy extremes
Packing my bags for the path of the free
From pillar to post I am driven it seems