Sissy bar

A sissy bar, also called a "sister bar" or "passenger backrest" is an addition to the rear of a motorcycle that allows the rider or passenger to recline against it while riding. Alternately it can serve as an anchor point or support for cycling supplies that are not part of the bike, including spare helmets, backpacks, or sleeping bags and other camping gear or items a rider feels is needed, such as tool-kits, map books, GPS or cameras.

Sissy bars for cruiser-style motorcycles are usually affixed to the rear fender struts, and are typically made of chrome-plated steel with a foam padded seatback for comfort. Some elaborate custom examples can extend three feet or more and often serve as mounts for novelty flags. A backrest for a touring motorcycle is often shorter and less elaborate and may be built into a top box.

Inspired by its motorcycle counterpart, a smaller version of the sissy bar was a common feature on 1960s- and 70s-era wheelie bikes, such as the Schwinn Sting-Ray and the Raleigh Chopper. This extended backrest, which attached to the rear of the bike's banana seat, gave a passenger something to lean back on and hold on to besides the rider doing the pedaling.

Sissy Bar

Sissy Bar is an American indie pop band. They formed in Los Angeles, California in 1994 after Joy Ray and Courtney Holt became obsessed with Snoop Dogg's then-hit Gin and Juice and recorded their own version on a friend's 6-track recorder, along with "(Our Pet Is...) Happy Pet" (both original recordings available as bonus tracks on the band's first full-length CD Statutory Grape). They sent this tape to local punk rock station KXLU and the songs started getting rotation on the Demolisten show, a show that plays "homespun, home recorded, self released recordings." The band's first performance was at a party in banjo player Brad Kluck's backyard. When drummer Patrick Simpson walked off the stage halfway through the set, the drummer from School of Fish (who was in the audience) jumped up on stage and helped finish the set.

The band's first release was 1995's Magic Bunny EP on Love Kit Records, a vinyl-only release that quickly sold out and garnered unsolicited reviews by publications including Details Magazine. TAZ did the eye-catching artwork. Their 1996 debut full-length album was Statutory Grape and was produced by Mickey P. Original synth player and backing vocalist Lisa Papineau left the band partway through recording the debut album to pursue a major label deal with her other band, Pet, and was replaced by Mary Ellen Mason. Sugar Fix Recordings released this CD, which was named after a Mopar paint color from the 1950s and featured a purple target on the cover. Sissy Bar played at South by Southwest, North by Northwest and Poptopia in support of this album and gained in notoriety. They played with artists including Sukia, Tsunami, and Dirty Three and were part of the "Silverlake Scene" that spawned artists such as Beck, Geraldine Fibbers and Possum Dixon. They competed (tongue-in-cheek) in a Battle of the Bands that offered a major label deal to the winner, and narrowly lost to Save Ferris.

Sissy

Sissy (derived from sister; also sissy baby, sissy boy, sissy man, tomgirl, etc.) is a pejorative term for a boy or man who violates or does not meet the "standard male" gender role. Generally, sissy implies a lack of courage, strength, coordination, testosterone, male libido, and stoic calm, all of which have traditionally been associated with masculinity and are considered important to the male role. A man might also be considered a sissy for being interested in traditionally feminine hobbies or employment (e.g., being fond of fashion), displaying effeminate behavior (e.g. using hair products or displaying limp wrists), being unathletic, or being homosexual.

Sissy is, approximately, the male converse of tomboy (a girl with masculine traits or interests), but carries more strongly negative connotations. Even among gay men, behavior thought of as sissy or camp produces mixed reactions. Some men reclaim the term for themselves.

The term sissyphobia denotes a negative cultural reaction against "sissy boys" thought prevalent in 1974. Sissyphobia has more recently been used in some queer studies; other authors in this latter area have proposed effeminiphobia,femiphobia,femmephobia, or effemimania as alternative terms.

Sissy (transgender)

In "sissy role play" a sissy is a person (typically a man) who adopts hyper-feminine behaviors, and engages in stereotypical "feminine" activities (e.g., housekeeping, putting on make-up), often within the context of BDSM. Particularly within the BDSM community, a "sissy" will typically assume the submissive role to a dominant female and/or male partner(s). Often sissies in a BDSM context also identify with other fetishes and sexual practices such as: erotic humiliation, bondage, petticoating, cuckoldry, chastity, leather, latex/pvc, infantilism, corporal punishment, being a recipient of anal fisting, etc. The word "sissy" is also used in pornography without the always clear BDSM context.

As a lifestyle desire or fetish activity, a sissy's feminization is an involuntary transformation from masculine to feminine, either physically, behaviorally, or both. The process is known as feminization or sissification. This transformation can either be permanent, or temporary. Additionally, this transformation can be something that the "sissy" goes through only in private (temporarily - fetish) or in public, temporarily or permanently.

Sissy (disambiguation)

Sissy may refer to:

People

See also