Sir (film)

Sir is a 1993 Bollywood film directed by Mahesh Bhatt starring debutant Atul Agnihotri and Pooja Bhatt in the lead roles with Naseeruddin Shah playing the title role. Paresh Rawal and Gulshan Grover play villainous roles. The film was remade in Telugu as Gangmaster with Rajasekhar.

It was inspired by the film Raajkumar starer Bulundi.

Plot

Mumbai-based college teacher Amar Verma (Naseeruddin Shah) lives with his wife, Shobha (Soni Razdan), and 6 year old son, Kunal. When a war breaks out between ganglords Veljibhai (Paresh Rawal) and Chhapan Tikli (Gulshan Grover) alias Jimmy, a number of innocent bystanders fall victim, one of whom is Kunal. This devastates the Verma family. Shobha walks out on Amar, who then devotes his life to his students. Many years later, when he finds out that a student, Pooja (Pooja Bhatt), has a problem of stammering, he decides to help her. He finds out that she is the only child of gangster Veljibhai. Amar meets with Veljibhai, discusses the gang-war scenario, then meets with Chhapan Tikli and does the same. Amar gets the gangsters to agree on a truce so that he can take Pooja and the rest of the students on a field trip to Bangalore. Amar will soon find out that neither Veljibhai nor Chhapan Tikli has any intention of keeping any truce. As the two dons engage in a fight to the finish, it seems that Amar may well have jeopardized his own life as well as the lives of Pooja and the other students. An additional complication arises with Pooja falling in love with her classmate Karan (Atul Agnihotri) and wishing to marry him against the wishes of her father.

Sir

Sir is an honorific address used in a number of situations in many anglophone cultures. The term can be used as a formal prefix, especially in the Commonwealth, for males who have been given certain honors or titles (such as knights and baronets), where usage is strictly governed by law and custom.

The term is commonly used as a respectful way to address a man, usually of superior social status or military rank. Equivalent terms of address to females are "ma'am" or "madam" in most cases, or in the case of a very young woman, girl, or unmarried woman who prefers to be addressed as such, "miss". The equivalent term for a knighted woman or baronetess is Dame, or "Lady" for the wife of a knight or baronet.

Etymology

"Sir" derives from the Middle French honorific title sire. Sire developed alongside the word seigneur, also used to refer to a feudal lord. Both derived from the Vulgar Latin senior, sire comes from the oblique case declension senior and seigneur, the nominative case declension seniōrem.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.