The Siq (Arabic: السيق, transliterated al-Sīq, transcribed as-Sīq, literally ‘the Shaft’) is the main entrance to the ancient city of Petra in southern Jordan. Also known as Siqit the main entrance in Petra is known as a dim, narrow gorge (in some points no more than 3 metres (9.8 ft) wide) winds its way approximately 1.2 kilometres (0.75 mi) and ends at Petra's most elaborate ruin, Al Khazneh (the Treasury). A wide valley outside leading to the Siq is known as the Bab as-Sīq (Gateway to the Siq).
Unlike slot canyons like Antelope Canyon, which are directly shaped by water, the Siq is a natural geological fault split apart by tectonic forces; only later was it worn smooth by water. The walls that enclose the Siq stand between 91–182 metres (299–597 ft) in height.
The entrance to the Siq contains a huge dam, reconstructed in 1963 and again in 1991, designed to bar the mouth of the Siq and reroute the waters of Wadi Musa. The dam is a fairly true reconstruction of what the Nabataeans did to control Wadi Musa between the 1st century BC and the beginning of the 1st century AD. The entrance also contains the remnants of a monumental arch, of which only the two abutments and some hewn stones of the arch itself have survived. The arch collapsed in 1896 following an earthquake, but its appearance is known from the lithographs of Matthew Boulby and David Roberts.
Michael Robert Paradinas (born 26 September 1971), who works primarily under the name μ-Ziq (pronounced like the word "music") in addition to a large number of aliases, is an English musician in the field of electronic music.
Paradinas was born in Charing Cross and began playing keyboards during the early 1980s and listened to new wave bands like The Human League and Heaven 17. He joined a few bands in the mid-1980s, then spent eight years on keyboards for the group Blue Innocence.
During this period, Paradinas had been recording on his own as well with synthesizers and a four-track recorder. In 1995, following a performance at "The Orange" in London, Blue Innocence broke up. Paradinas and the bass player, Francis Naughton, bought sequencing software and re-recorded some of Paradinas's older tracks. After the material was played for Mark Pritchard and Tom Middleton — the duo behind Global Communication and the heads of Evolution Records — it was to be released; however, recording commitments later forced Pritchard and Middleton to withdraw their agreement. Fortunately for Paradinas, Richard D. James (aka Aphex Twin) had also heard the tracks and agreed to release their music on Rephlex Records under the alias μ-Ziq.
I'm not a product of your environment
I don't hold these truths to be self-evident
I don't necessarily hate the establishment
but I don't think you really know what I meant what I said