Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair, was a New Orleans blues singer and pianist. Professor Longhair is noteworthy for having been active in two distinct periods, both in the heyday of early rhythm and blues, and in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival.
The music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray, stated "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John."
Professor Longhair was born on December 19, 1918 in Bogalusa, Louisiana. His distinctive style was the result of learning to play piano on an instrument that was missing some keys.
Since I Met You Baby can refer to one of two things:
Since I Met You Baby is an album by Freddy Fender that was released in 1975.
"Since I Met You Baby" is an American rhythm and blues song written and recorded by pianist Ivory Joe Hunter. The song, which Hunter recorded in 1956, became an American standard, and saw renewed popularity in 1969 when country music artist Sonny James released his hit version.
Hunter had already tasted major success with popular and rhythm and blues audiences with songs such as "I Almost Lost My Mind". He moved to Atlantic Records by 1954, and around that time wrote "Since I Met You Baby."
The song, a 12-bar blues, was described by Allmusic critic Steve Huey as "a masterpiece of smooth, bluesy elegance" and "decidedly removed from the tide of raucous rock & roll sweeping the country." In fact, compared to many of the other uptempo, rock-beat songs of the period, the song was "augmented by a wordless vocal choir (supervised by Ray Ellis who also did the orchestral arrangement) that's strongly reminiscent of traditional pop recordings of the period," wrote Huey. Saxophonist Jesse Powell provided the harmony on the second verse.
Baby let me hold your hand
Please let me hold your hand
'Cause if you hold my hand
Maybe you'll understand
I wanna be your lovin' man.
Please don't turn me down
Please don't turn me down
'Cause if you turn me down
You make me feel like a clown
I just wanna be around