Simplicity is the state or quality of being simple. Something which is easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we choose to describe it. In some uses, the label "simplicity" can imply beauty, purity, or clarity. "Simplicity" may also occur with negative connotations to suggest a deficit or insufficiency of nuance or of complexity of a thing, relative to what one supposes as required.
The concept of simplicity has been related to in the field of epistemology. According to Occam's razor, all other things being equal, the simplest theory is the most likely to be true. In the context of human lifestyle, simplicity can denote freedom from hardship, effort or confusion. Specifically, it can refer to a simple living style.
Simplicity is a theme in the Christian religion. According to St. Thomas Aquinas, God is infinitely simple. The Roman Catholic and Anglican religious orders of Franciscans also strive after personal simplicity. Members of the Religious Society of Friends (Quakers) practice the Testimony of Simplicity, which involves the simplifying of one's life in order to focus on things that are most important and disregarding or avoiding things seen as least important.
Simplicity is the property, condition, or quality of being simple or un-combined.
Simplicity may also refer to:
Simplicity was the third and final album recorded by the English actor/singer Tim Curry, released in 1981.
Whereas his previous album Fearless (1979) had been almost entirely original songs, Simplicity was a half-originals half-covers mix, and contained a wider variety of source material than the covers on his first album Read My Lips (1978). Covers include a version of The Zombies' "She's Not There" and Martha and the Vandellas' "Dancing in the Streets", both of which were hits in 1964. Curry also performs a version of "Take Me, I'm Yours", originally a 1978 hit by Squeeze.
The track "Working on My Tan" was released as a single in certain countries (backed with "On A Roll") but was not commercially successful. Curry did not make any promo videos for the album.
Darkman is a 1990 American superhero action film directed and co-written by Sam Raimi. It is based on a short story Raimi wrote that paid homage to Universal's horror films of the 1930s. The film stars Liam Neeson as Peyton Westlake, a scientist who is attacked and left for dead by a ruthless mobster, Robert Durant (played by Larry Drake), after his girlfriend, an attorney (Frances McDormand), runs afoul of a corrupt developer (Colin Friels).
Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film. He was subjected to a grueling screenwriting process and equally difficult post-production battle with the studio.
The design and creation of the makeup effects required to turn Liam Neeson into Darkman were the handiwork of makeup effects artist Tony Gardner, who also cameos in the film as the Lizard Man in the carnival Freak Show sequence.
Darkman was generally well received by critics and performed well at the box office, grossing almost $49 million worldwide, well above its $16 million budget. This financial success spawned two direct-to-video sequels, The Return of Durant (1994) and Die Darkman Die (1996), as well as comic books, video games, and action figures. Over the years, Darkman has become regarded as a cult film.
Darkman was developed by Ocean Software (Painting By Numbers on the NES version) and published by Ocean Software in 1991. It was released for the ZX Spectrum, NES, Amstrad CPC and Commodore 64. It was also ported to the Game Boy and Atari ST. The game's plot is loosely based on the film of the same name.
In this side-scrolling platformer, the player controls Darkman, a superhero who can jump, kick and punch, as well as swing from a rope during action sequences between levels. In each level, Darkman disguises himself as the boss of the level, whom he must defeat before the time limit elapses. Tying into the plot of the film, Darkman wears masks of various gangsters who are responsible for his disfigurement, but his disguise dissolves after being exposed to sunlight for too long. The character changes into a different member of the evil gang in each level, taking on their attack moves as well as their face.
In-between levels, Darkman must photograph his quarry before he can make a mask of them. These scenes involve moving the cursor to take a picture of the gangster. The better the photo accuracy, the more time Darkman is granted to complete the subsequent level. The final level is the most faithful to the film, and takes place on a skyscraper under construction.
Darkman (real name Peyton Westlake) is a title character and the protagonist of the 1990 superhero film Darkman and its sequels, Darkman II: The Return of Durant and Darkman III: Die Darkman Die. The character originated in a short story written by the film's director, Sam Raimi, titled "The Darkman," and is based on the Universal Pictures' movie monsters while retaining traits of the DC Comics WWII disfigured hero the Unknown Soldier. He was portrayed by Liam Neeson in the original film and Arnold Vosloo in the sequels.
In the third film and the un-aired television pilot, his biography is slightly retconned, but the character's canonical history is as such: Peyton Westlake was a mild-mannered and brilliant scientist working on a synthetic "skin" capable of aiding burn victims. He had a good relationship with district attorney Julie Hastings, who indirectly caused his injuries by telling corrupt developer Louis Strack, Jr. that he could not build his "city of the future" without a permission document from Westlake's laboratory. At this, Strack hired sadistic mobster Robert G. Durant to get the document and in the process, Durant and his gang brutally disfigured Westlake, killed his assistant and destroyed his lab.