Paralanguage is a component of meta-communication that may modify or nuance meaning, or convey emotion, such as prosody, pitch, volume, intonation etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics, and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it differs by language and culture). A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. The film Gumperz made for BBC in 1982, Multiracial Britain: Crosstalk, does a particularly good job of demonstrating cultural differences in paralanguage, and the impact these have on relationships.
A sigh is an audible exhalation, usually signifying some emotional experience. It may also refer to:
Sigh (サイ, sai) is a Japanese extreme metal band from Tokyo, formed in 1989. They are credited as being one of the first Japanese black metal bands, when the majority of black metal in early 1990s came from Scandinavia. They gradually shifted from a more traditional black/thrash metal sound, to a more experimental, avant-garde style.
Sigh was founded in 1989 in Tokyo, Japan. The band was signed by Euronymous' (of Mayhem fame) infamous label Deathlike Silence Records and released their first full-length album Scorn Defeat on DSP in 1993, shortly after Euronymous' death. The label ceased to exist shortly after his death and Sigh changed to Cacophonous Records.
After major disputes with Cacophonous over promotion and album rights, the band eventually found a new home at Century Media Records. Through this label they released their album Imaginary Sonicscape in 2001, which contained a more avant-garde elements than their previous work. In 2005 they released their full-length Gallows Gallery through yet another source, Candlelight/Baphomet Records. The band then signed to The End Records that released Hangman's Hymn and Scenes From Hell and reissued re-mastered versions of Gallows Gallery and Imaginary Sonicscape with revamped artwork and bonus tracks, before re-signing with Candlelight Records. After returning to Candlelight Records, Sigh has released 2012's In Somniphobia, and have announced recordings for their 10th studio album, Graveward, will begin in mid-2014.
A mess (also called a messdeck aboard ships) is an area where military personnel socialize, eat, and (in some cases) live. In some societies this military usage has extended to other disciplined services eateries such as civilian fire fighting and police forces. The root of mess is the Old French mes, "portion of food" (cf. modern French mets), drawn from the Latin verb mittere, meaning "to send" and "to put" (cf. modern French mettre), the original sense being "a course of a meal put on the table"; cfr. also the modern Italian portata with the same meaning, past participle of portare, to bring. This sense of mess, which appeared in English in the 13th century, was often used for cooked or liquid dishes in particular, as in the "mess of pottage" (porridge or soup). By the 15th century, a group of people who ate together were also called a mess, and it is this sense that persists in the "mess halls" of the modern military.
Messing in the Canadian Forces generally follows the British model (see United Kingdom below), from whom most traditions have descended. Basic regulations regarding the establishment and administration of messes is contained in the Queen's Regulations and Orders and the Canadian Forces Administrative Orders.
Messé is a commune in the Deux-Sèvres department in western France.
Mess is the seventh studio album by music trio Liars, released on Mute Records on 24/25 March 2014. In a press release, singer Angus Andrew said the recording process had been "almost the exact opposite" of creating their last album WIXIW and that "instead of being doubtful, work on the new album has been immediate, fun, instinctual and confident". The record was largely recorded at the band's own No Gold Studios in Los Angeles.
The first single from the album, Mess On A Mission, was released on 17 March, backed with remixes from Silent Servant, SFV Acid, Black Bananas (Jennifer Herrema) and Nest Of Teens. Regarding the single, a Mute press release quotes the band: "Mess On A Mission acknowledges some of the modern day issues of uncertainty, of being overwhelmed with possibilities, too many choices and it vocalises them. It's cathartic and a more positive spin on something our music has always dealt with: anxiety."
All songs written and composed by Aaron Hemphill and Angus Andrew.
(Otis Blackwell, Henry Glover)
Recorded Jan 4, 1958 King Single #5108
With Kelly Owens-piano
Evrett Barksdale and George Barnes-guitar
Al McKibbon-bass, David 'Panama' Francis-drums
Hal Singer-tenor sax, Bill Graham-baritone sax.
Transcriber: Awcantor
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When I saw your smilin' face
Spreadin' joy all over the place
I said, 'Ooo-ooo-ooo-ooo'
Please save me from going crazy
'Cause you're givin' me spasms, baby!
I went to the doctor, the doctor said
Without your love I'd soon be dead
I said, 'Ooo-ooo-ooo-ooo'
Please save me from goin' crazy
'Cause you're givin' me spasms, baby!
Oh what a fit, I alway get
A-when you touch my shakin' hand
If ya tell me this ain't love
I know right away you don't understand
You kiss me once, um-hmm
I ask for more
You kiss me twice, woo!
I hit the floor
I said, 'Woo-ooo-ooo'
Please save me, from goin' crazy
Oh, you givin' me spasms, baby!
(Instrumental and guitar)
Oh what a fit, I always get
A-when ya touch my shakin' hand
If ya tell me this ain't love
I know by the way ya don't understand
You squeeze me tight, hmm
I got the feelin'!
You squeeze me tighter
And I hit the Ceilin!
I said, Ooo-ooo-ooo-ooh
Please save me, from goin' crazy
Ooh, you givin' me spasms, baby!