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Sequel
A sequel is a narrative, documental, or other work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.
In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear in a number of stories. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not.
Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.
Spin-off (media)
In media, a spin-off (or spinoff) is a radio program, television program, video game, film, or any narrative work, derived from one or more already existing works, that focuses, in particular, in more detail on one aspect of that original work (e.g. a particular topic, character, or event). A spin-off may be called a sidequel when it exists in the same chronological frame of time as its predecessor work. One of the earliest spin-offs of the modern media era, if not the first, happened in 1941 when the supporting character Throckmorton P. Gildersleeve from the old time radio comedy show Fibber McGee and Molly became the star of his own program The Great Gildersleeve (1941–1957).
In genre fiction, the term parallels the usage in television; it is usually meant to indicate a substantial change in narrative viewpoint and activity from that (previous) storyline based on the activities of the series' principal protagonist(s) and so is a shift to that action and overall narrative thread of some other protagonist(s), which now becomes the central or main thread (storyline) of the new sub-series. The new protagonist generally appears first as a minor or supporting character in the main story line within a given milieu, and it is very common for the previous protagonist to have a supporting or cameo role, at the least as a historical mention, in the new sub-series. Spin offs sometimes generate their own spin-offs, leaving the new show in its own series only vaguely connected to the original series.
Side
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
History
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.
Cue sports techniques
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
A-side and B-side
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
Radio Stations - Fatsa
Podcasts:
sIDe
ALBUMS
- The Crowd released: 1999
Side
ALBUMS
- Tallinn: psühhedeelne linn released: 2001
- Vibratsioon, Volume 2: The Sound of Estonian Pop Underground released: 1998
АутSide
ALBUMS
- Больше смысла/нет released:
Side
ALBUMS
- Cuentos del ánimo released: 2008
Side
ALBUMS
- Vitaminepillen #1: Wise Choice released: 1993
Vitaminepillen #1: Wise Choice
Released 1993- Can Anybody Tell Me?
- Lass die Haare wachsen
- Wahltag
- Doch dann...
- Weil alles stimmt
- Radiofreies Reifenberg
- Im Strudel der Zeit
- Pet Semetary, Part III
- My Wild Mind
- Elvis
- Sign in the Sky
- Revenge
- Faith
- Gott und die Welt
- Manchmal
- Konvoi des Todes
- Mord bleibt Mord
- Wir über uns
- Kalter Stein
- I'm Not Deaf
- Aasfresser
- Underground
- All Cried Out
- No Reason
- Crisis
- Evil Ed
- Marching On
- Hamburg
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Tele ka
by: Soda Stereo(Gustavo Cerati)
Dejalo ser
Dejalo sacudirse bien
No hay tampa en esto
Ya vas a ver
Como tu cuerpo se abre
No esperes mas de mi
Tele, telequilesis y moveras tus pies
Tele, telequinesis y moveras tus pies
Aumentan decibeles que quiebran las paredes
Saltemos todos, con tanta fuerza, con tanta electricidad
Tenemos que entender, he!
Tele, telequinesis y moveras tus pies
Tele, telequinesis y moveras tus pies
(no esperes mas de mi
No esperes mas de mi
No esperes mas de mi
No esperes mas de mi
Dejalo ser
Dejalo sacudirse bien
No hay trampa en esto
Ya vas a ver
Como tu cuerpo se abre
No esperes mas de mi
De mi, de mi oh
Oh, no esperes mas de mi
No esperes mas de mi
No esperes mas de mi
No esperes mas de mi
No esperes mas de mi
No esperes mas de mi
No esperes
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