A shrug is a gesture that is performed by lifting both shoulders up, and is a representation of an individual either not knowing an answer to a question, or not caring about a result. It is an emblem, meaning that it integrates the vocabulary of only certain cultures and may be used in place of words. It can also be used when someone is simply ignoring the person's question. It may be accentuated with raised eyebrows, a turned-down mouth and/or an exaggerated frown, and can be accompanied by raised palms. It is very common in Western culture, rather than saying "I don't know", they would simply perform a shrug. In the English-speaking world it may be accompanied by a three syllable grunt or hummed mumble mimicking the intonation of "I dunno".
A specific rendezvous of chronic shoulder shrugs, also misconceived, are the symptomatic tics of Tourettes syndrome. Shrugging by coping with indifference and indecision, psychotherapeutic or psychoanalytic the effectuated unconditional aspect can indicate anxiety and numerous psychological disorders: a solute example is schizoid personality disorder.
A shrug is a cropped, cardigan-like garment with short or long sleeves, typically knitted, usually for women. Generally, a shrug covers less of the body than a vest would, but it is more tailored than a shawl. Shrugs are typically worn as the outermost layer of an outfit, with a full shirt, tank top, or dress beneath.
A shrug covers a small portion of the upper body. Some shrugs are tied together just below the bustline. Another style is cut off at the sides and thus little more than a pair of sleeves joined at the back.
A bolero jacket or bolero (pronounced /bollero/) is a more formal garment of similar construction but made of stiffer fabric, essentially a short tailored jacket, inspired by the matador's chaquetilla. Like the shrug, the sides of the bolero only meet at one point.
A shrug is a gesture that indicates either indifference or lack of knowledge.
"Shrug" can also refer to:
Cinematic may refer to:
Adrian Borland (6 December 1957 – 26 April 1999) was an English singer, songwriter, guitarist and record producer, best known as the lead singer of post-punk band The Sound (1979–87).
Following a substantial solo career spanning five albums, he succumbed to the symptoms of schizoaffective disorder and committed suicide in April 1999.
Adrian Kelvin Borland was born in England in 1957, the son of Bob Borland, a physicist at the National Physical Laboratory, and his wife Win, an English teacher.
At primary school the young Adrian Borland was already friends with future Sound bassist (and Second Layer collaborator) Graham "Green" Bailey, and would meet Steve Budd, closely involved with his band The Sound in their early years, in his early teens. Budd would later recall, "We met when we were both 14. He was the only other kid I knew with an electric guitar. Even at 14 you could see he was a genius". Borland played guitar left-handed.
Borland's first band, the Wimbledon-based punk rock trio The Outsiders, was formed with Borland at its nucleus, manning vocals and guitar. Bob Lawrence was on bass, and Adrian 'Jan' Janes manned the drums. Their debut LP, Calling on Youth, was self-released on their Raw Edge label, and became the first UK self-released punk album. and won them their first unfavourable reviews: "apple-cheeked Ade has a complexion that would turn a Devon milkmaid green with envy", reported the NME.
Cinematic is the first demo EP by former TNT and current Starbreaker singer Tony Harnell, released on September 23, 2008, for free on his official website, and later through Dovetone Music. It is Harnell's debut release as a solo artist. The EP featured 6 demo songs that might be re-recorded for his full-length solo album, due for release in 2010.
The album was produced by Mats Valentin who also recorded all of the instruments. Additional vocals were recorded by Swedish singer Aleena Gibson.
Demos of "Out from Under the Black Cloud", "The Show" and "Cinematic" were released in Christmas 2007, on Harnell's Myspace page. Those demos were produced by Lizette von Panajott and orchestrated by Glen Gabriel.