Shot may refer to:
SHOT is an acronym for:
A shot in ice hockey is an attempt by a player to score a goal by striking or snapping the puck with their stick in the direction of the net.
There are four basic types of shots in ice hockey.
The shovel shot is the simplest most basic shot in a shooter's arsenal. Its execution is simply a shoveling motion to push the puck in the desired direction, or flick of the puck (be it on the forehand, backhand, or in a spearing motion). Players typically resort to shovelling the puck to push loose pucks past a sprawling, or out-of-position goaltender. Therefore, the easiest move of all.
The wrist shot is executed by positioning the puck toward the heel-middle of the blade. From that position the shooter rolls his back wrist quickly, while thrusting the puck forward with the bottom hand. As the blade propels the puck forward the movement of the wrist rolls the puck toward the end of the blade, causing the puck to spin. The tightness of the spin of the puck has an effect much like the spin a quarterback puts on their football pass, resulting in more accuracy. The puck is aimed with the follow-through of the shot, and will typically fly perfectly in the direction of the extension of the stick, resulting in an extremely accurate shot. At the same time, the stick flexes, so the moment the puck is released from the stick, the snap of the stick will propel the puck forward at high speeds. NHL players known for their wrist-shot include Alexander Ovechkin, Eric Staal, Marián Gáborík, Jeff Carter, Alexander Semin, Teemu Selänne, Alexei Kovalev, Pavel Datsyuk, Phil Kessel, Wayne Gretzky, Steven Stamkos, Peter Forsberg, Raymond Bourque, Phil Kessel and Ryan Kesler.
An injection (often referred to as a "shot" in US English, or a "jab" in UK English) is an infusion method of putting fluid into the body, usually with a syringe and a hollow needle which is pierced through the skin to a sufficient depth for the material to be administered into the body. An injection follows a parenteral route of administration; that is, administration via a route other than through the digestive tract. Since the process inherently involves a small puncture wound to the body (with varying degrees of pain depending on injection type and location, medication type, needle gauge and the skill of the individual administering the injection), fear of needles is a common phobia.
There are several methods of injection or infusion used in humans, including intradermal, subcutaneous, intramuscular, intravenous, intraosseous, intraperitoneal, intrathecal, epidural, intracardiac, intraarticular, intracavernous, and intravitreal. Rodents used for research are often administered intracerebral, intracerebroventricular, or intraportal injections as well. Long-acting forms of subcutaneous/intramuscular injections are available for various drugs, and are called depot injections.
Gauze is a thin, translucent fabric with a loose open weave. In technical terms "gauze" is a weave structure in which the weft yarns are arranged in pairs and are crossed before and after each warp yarn keeping the weft firmly in place. This weave structure is used to add stability to fabric, which is important when using fine yarns loosely spaced. However, this weave structure can be used with any weight of yarn, and can be seen in some rustic textiles made from coarse hand-spun plant fiber yarns.
Gauze was traditionally woven in Palestine and the English word is said to derive from the place name for Gaza (Arabic: غزة ghazza), a center of weaving in the region. Despite a prohibition on trade with non-Christians from religious authorities in medieval Europe, a fine type of silk known as gazzatum was imported from Gaza as early as the 13th century. Though members of religious orders in Europe were forbidden to wear it, the fabric won a place for itself and emerged into modern life as gauze.
Gauze is the first studio album released by Dir En Grey on July 28, 1999. It is the band's first full-length record. Five tracks were produced by X Japan co-founder Yoshiki Hayashi, all of which had been previously released as singles. The album was originally released on July 28, 1999 as a standard version with a thick CD case, 36-page booklet with the CD reading surface painted red, through East West Japan. An initial limited version was released on the same day, including a translucent red sleeve with a cloud pattern, 12-page picture booklet, a 36-page lyrics booklet, and the red painted CD in a maxi-CD single case for a sticker price of ¥3,059. The album was later re-issued as standard version only, with a silver disc on October 31, 2001 through Free-Will. Although live performances of songs from this album have been extremely rare since 2003, the album still contains some of the band's most popular songs like Cage and Yokan.
The lyrics booklet features two pages for each song; one features the lyrics, while the facing page features a picture and a small poem or verse, as a companion piece.
Gauze is a hardcore–punk band from Japan. Since their formation in 1981, Gauze has been a major influence in both the Japanese hardcore scene, and the underground hardcore scene around the world.
Gauze was formed in the fall of 1981.
The original plan according to Shin, the bass player, was to play as fast as possible. They attempted to give the impression of playing fast without actually playing fast. The first Gauze recordings are the tracks from the City Rocker compilation LP with features other New Wave bands and Gauze doing 10 songs. They covered Discharge’s "No TV Sketch", but the song title is "Anti-Machine". They released 1984's Fuckheads LP on ADK Records.
Equalizing Distort was released in 1986. They released the Genkai Wa Doko Da (“What’s the Limit?”) LP in 1989, and in 1991 they played a 10th anniversary gig, where they played three sets covering the 3 periods they had gone through in the last 10 years. They played 51 songs over these 3 sets. In 1996, they began a US tour, though it lasted just three shows - a fourth was scheduled, but was cancelled. They played at Gilman St. in Berkeley, at the Bomb Shelter in Minneapolis and in Chicago at the Fireside Bowl. They also recorded songs for a 7” that came out on Prank a little after this, while they were in SF.