Shortstop is the second album by the American singer/songwriter Sara Hickman, released in 1990. (see 1990 in music).
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Shortstop, abbreviated SS, is the baseball or softball fielding position between second and third base, which is considered to be among the most demanding defensive positions. The position is mostly filled by defensive specialists, so shortstops are generally relatively poor batters who bat later in the batting order, with some exceptions. In the numbering system used by scorers to record defensive plays, the shortstop is assigned the number 6.
More hit balls go to the shortstop than to any other position, as there are more right-handed hitters in baseball than left-handed hitters, and most hitters have a tendency to pull the ball slightly. Like a second baseman, a shortstop must be agile, for example when performing a 4-6-3 double play. Also, like a third baseman, the shortstop fields balls hit to the left side of the infield, where a strong arm is needed to throw out a batter-runner before they reach the safety of first base.
Doc Adams of the Knickerbockers created the concept of the shortstop position, according to Thorn and Baseball Hall of Fame researcher Freddy Berowski. In the first five years the Knickerbockers played, the team fielded anywhere from eight to eleven players. The only infielders were the players covering each of the bases; if there were more than eight players, extra outfielders were sometimes used. The outfielders had difficulty throwing baseballs into the infield, because of the balls' light weight. Adams' shortstop position, which he started playing at some time from 1849 to 1850, was used to field throws from the outfielders and throw to the three infielders. With the advent of higher-quality baseballs, Adams moved to the infield, since the distance the balls could travel increased. Adams had a long playing career with the Knickerbockers: he remained a player with the team until 1860.