Shōgun: The Musical

Shōgun: The Musical is a musical with a book and lyrics by John Driver and music by Paul Chihara.

Based on James Clavell's 1976 novel and the 1980 television mini-series of the same name based on it, the musical centers on shipwrecked English sea captain John Blackthorne, who finds himself drawn into a political power play while involved in an illicit affair with a married noblewoman in 17th-century Japan. Clavell's novel was itself originally inspired by the true story of English navigator William Adams.

History

Clavell himself initiated the project in 1982 and, when it remained in limbo for more than eight years, finally provided most of the financing required to get it mounted. Compressing his mammoth work, which had required twelve hours to tell fully on screen, into a reasonable length for the theatre proved to be a daunting task. When the production opened at the Kennedy Center in Washington, D.C., it closely resembled Les Misérables and The Phantom of the Opera in size and scope, with a cast of thirty-eight characters, more than three hundred costumes, a libretto nearly entirely sung, and a running time of 3½ hours. Critics and audiences alike had difficulty following the convoluted plot, and it was decided to cut much of the music and replace it with dialogue. Composer Chihara objected and was dismissed. The leading man Peter Karrie was also let go and was replaced by Philip Casnoff, who had auditioned for the role but was rejected by producers who deemed him too young and too American.

Shogun

A Shogun (将軍, Shōgun, [ɕoːɡu͍ɴ], "general", literally "military commander") was a hereditary military dictator in Japan during the period from 1192 to 1867. In this period, the shoguns were the de facto rulers of the country, although nominally they were appointed by the Emperor as a formality. The Shogun held almost absolute power over territories through military means, in contrast to the concept of a colonial governor in Western culture. Nevertheless, an unusual situation occurred in the Kamakura period (1199-1333) upon the death of the first shogun, whereby the Hōjō clan's hereditary titles of Shikken and Tokuso (1256-1333) monopolized the shogunate, collectively known as the Regent Rule (執権政治). The shogun during this period met the same fate as the Emperor and was reduced to a figurehead until a coup in 1333, when the shogun was restored to power.

The modern rank of shogun is roughly equivalent to a generalissimo. The title of shogun, is the short form of Sei-i Taishōgun (征夷大将軍, literally "Commander-in-Chief of the Expeditionary Force Against the Barbarians"); the individual governing the country at various times in the history of Japan, ending when Tokugawa Yoshinobu relinquished the office to the Emperor Meiji in 1867.

Shōgun (novel)

Shōgun is a 1975 novel by James Clavell. It is the first novel (by internal chronology) of the author's Asian Saga. A major bestseller, by 1990 the book had sold 15 million copies worldwide. Beginning in feudal Japan some months before the critical Battle of Sekigahara in 1600, Shōgun gives an account of the rise of the daimyo "Toranaga" (based upon the actual Tokugawa Ieyasu). Toranaga's rise to the Shogunate is seen through the eyes of the English sailor John Blackthorne, called Anjin ("Pilot") by the Japanese, whose fictional heroics are loosely based on the historical exploits of William Adams.

Plot

Feudal Japan in 1600 is in a precarious peace. The heir to the Taiko is too young to rule, and the most powerful five overlords of the land hold power as a council of regents. Portugal, with its vast sea power, and the Catholic Church, mainly through the Order of the Jesuits, have gained a foothold in Japan and seek to extend their power. But Japanese society is insular and xenophobic. Guns and Europe's modern military capabilities are still a novelty and despised as a threat to Japan's traditional samurai warrior culture.

Shogun (Stormwitch album)

Shogun was the seventh album by the German heavy metal band Stormwitch, released in 1994. It is probably the most controversial of Stormwitch's albums and poorly received by fans due to its almost entirely different sound, with progressive elements and very little of their classic heavy metal styles. It also marked the end of their original span which has lasted from 1982-1994. The album was the first to feature only one guitarist, making a four member band.

The album is a concept album, based on James Clavell's novel; Shōgun. The lyrics all revolve around parts from the novel referring to both names and places. It is the second album in a row released by Stormwitch to feature a novel based concept, the first being War Of The Wizards.

Track listing

Musical

Musical may refer to:

See also

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).