Shocker (film)

Shocker (also known as Wes Craven's Shocker) is a 1989 American horror film written and directed by Wes Craven. It stars Michael Murphy, Peter Berg, and Mitch Pileggi as the evil antagonist Horace Pinker.

Both Craven and Universal had hoped for the film to launch a franchise (Craven had particularly wanted to create a new series since he felt he had not been given due profits from New Line Cinema for the Nightmare on Elm Street series, which he had began). However, due to the middling commercial performance and poor reception of the film, no sequel was made.

Plot

A serial killer, having murdered over 30 people, is on the loose in a Los Angeles suburb. A television repairman with a pronounced limp, named Horace Pinker (Mitch Pileggi), becomes the prime suspect. When the investigating detective, Lt. Don Parker (Michael Murphy), gets too close, Pinker murders Parker's wife, foster daughter, and foster son. However, his other foster son Jonathan (Peter Berg) develops a strange connection to Pinker through his dreams and leads Parker to Pinker's rundown shop. In a shootout in which several officers are killed, Pinker manages to escape. He targets Jonathan's girlfriend Allison (Camille Cooper) in retribution.

Shocker

Shocker may refer to:

See also

Shocker (wrestler)

José Luis Jair Soria is a Mexican professional wrestler, who wrestles under the name Shocker. He has in the past branched out into the United States, working for Total Nonstop Action Wrestling.

Professional wrestling career

José Jair trained for his professional wrestling career under the very well regarded wrestling trainer Diablo Velasco as well as his father Ruben Soria before making his professional wrestling career on October 15, 1992, using the ring name Shocker. He later also trained under El Satánico.

Consejo Mundial de Lucha Libre (1994–2005)

$ (film)

$, also known as Dollars and in the UK as The Heist, is a 1971 American caper film starring Warren Beatty and Goldie Hawn, and distributed by Columbia Pictures. The movie was written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film was partly shot in Hamburg, Germany, which forms the primary location of the film and was supported by the Hamburg Art Museum and Bendestorf Studios.

The film's title appears in the opening credits only in the form of a giant character, as would be used in a sign, being transported by a crane.

Plot

Set in Hamburg, West Germany, several criminals take advantage of the German bank privacy laws to use safe deposit boxes in a German bank to store large amounts of illicit cash. These include a Las Vegas mobster as well as a ruthless drug smuggler known as the Candy Man and a crooked overbearing U.S. Army sergeant and his meek-mannered partner the Major, who conspire on a big heroin and LSD smuggling score. Joe Collins (Warren Beatty), an American bank security consultant, has been spying on them and makes mysterious and elaborate preparations to steal their money (totaling more than $1.5 million) with the help of Dawn Divine (Goldie Hawn), a hooker with a heart of gold.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: