Shift (MSNBC)

Shift (stylized as shift by msnbc, formerly msnbc2) is an online live-streaming video network run by MSNBC. It was launched in December 2014 to provide a platform for original video series which diverge from the MSNBC television network's political focus.

History

In July 2014, MSNBC.com launched msnbc2, a brand for several web-only series hosted by MSNBC personalities, in December 2014, msnbc2 was renamed shift by msnbc, with a daily live stream and programming schedule which is less focused on politics and is more tailored to a younger audience.

Programming

Current Shows

Shift (sculpture)

Shift is a large outdoor sculpture by American artist Richard Serra, located in King City, Ontario, Canada about 50 kilometers north of Toronto. The work was commissioned in 1970 by art collector Roger Davidson and installed on his family property.Shift consists of six large concrete forms, each 20 centimetres thick and 1.5 metres high, zigzagging over about four hectares of rolling countryside. In 1990 the Township of King voted to designate Shift and the surrounding land as a protected cultural landscape under the Ontario Heritage Act. The property is now owned by a Toronto-based developer who announced in 2010 that they appeal the decision of the Ontario Conservation Review board with plans to develop the property for housing, necessitating the removal of Shift. In 2013 the Township of King voted to prepare a bylaw to designate Shift as protected under the Ontario Heritage Act, preventing its destruction or alteration.

History

In the summer of 1970 Serra and artist Joan Jonas visited the site, a 13-acre potato farm in King Township. They discovered that if two people walked the distance of the land towards each other while keeping each other in view, they had to negotiate the contours of the land and walked in a zigzagged path. This determined the topographical definition of the space and the finished work would be the maximum distance two people could occupy while still in view of one another. The sculpture's construction began in 1970 and ended in 1972.

Chemise

The term chemise or shirt can refer to the classic smock, or else can refer to certain modern types of women's undergarments and dresses. In the classical use it is a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations.

Etymology

Chemise is a French term (which today simply means shirt). This is a cognate of the Italian word camicia, and the Spanish / Portuguese language word camisa (subsequently borrowed as kameez by Hindi / Urdu / Hindustani), all deriving ultimately from the Latin camisia, itself coming from Celtic. (The Romans avidly imported cloth and clothes from the Celts.) The English called the same shirt a smock.

Modern chemise

In modern usage, a chemise is generally a woman's garment that vaguely resembles the older shirts but is typically more delicate, and usually more revealing. Most commonly the term refers to a loose-fitting, sleeveless undergarment or type of lingerie which is unfitted at the waist. It can also refer to a short, sleeveless dress that hangs straight from the shoulders and fits loosely at the waist. A chemise typically does not have any buttons or other fasteners and is put on by either dropping it over the head or stepping into it and lifting it up.

Shakaya (album)

Shakaya is the first studio album by Australian girl duo Shakaya, released in Australia on 18 October 2002 (see 2002 in music) by Columbia. The album has a mix genre of pop and R&B songs — written by the duo themselves and their manager/producer Reno Nicastro.

The album debuted at number five on the Australian ARIA Charts and stayed in the top fifty for two weeks and in the chart for six weeks. It also made an appearance in the Australasian Album Chart, peaking at number two (just missing the number one spot by Barricades & Brickwalls by Kasey Chambers).

Shakaya produced one top ten and two top twenty hits on the Australian ARIA Singles chart: "Stop Calling Me", "Sublime" and "Cinderella".

Track listing

Sublime (philosophy)

In aesthetics, the sublime (from the Latin sublīmis) is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation.

Ancient philosophy

The first known study of the sublime is ascribed to Longinus: Peri Hupsous/Hypsous or On the Sublime. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with greater persuasive powers. Longinus' treatise is also notable for referring not only to Greek authors such as Homer, but also to biblical sources such as Genesis.

This treatise was rediscovered in the 16th century, and its subsequent impact on aesthetics is usually attributed to its translation into French by Nicolas Boileau-Despréaux in 1674. Later the treatise was translated into English by John Pultney in 1680, Leonard Welsted in 1712, and William Smith in 1739 whose translation had its fifth edition in 1800.

Sublime (film)

Sublime is a 2007 psychological horror film directed by Tony Krantz and written by Erik Jendresen. It is the second straight-to-DVD "Raw Feed" horror film from Warner Home Video, released on March 13, 2007. The film stars Tom Cavanagh, Kathleen York, Lawrence Hilton-Jacobs, and Katherine Cunningham-Eves.

Plot

The plot centers on the protagonist George Grieves (Cavanagh), who checks into the Mt. Abaddon Hospital for a routine procedure only to find horrors await him. Awakening from what was supposedly a simple colonoscopy, Grieves is told by hospital staff that due to confusion arising from similar patient names he was mistakenly given a sympathectomy to cure sweaty palms.

As the days tick by Mr. Grieves' post-operative experiences grow ever more bizarre until he finally realizes that he is caught inside a nightmare of his own creation and seems unable to escape or awaken back in the real world. He understands that something has gone wrong in his post-operative recovery which is keeping him trapped in this netherworld of manifestations of all of his worst fears but he understands neither what the problem is nor what, if anything, he can do to awaken from it.