Horus, (Louvre Museum), 'Shen rings' in his grasp.

A shen ring is a circle with a line at a tangent to it, which was represented in hieroglyphs as a stylised loop of a rope. The word shen itself means, in ancient Egyptian, encircle, while the shen ring represented eternal protection. In its elongated form the shen ring became the cartouche which enclosed and protected a royal name.[1]

The shen ring is most often seen carried by the falcon god Horus, but was also carried by the vulture goddess Nekhbet. It was used as early as the third dynasty where it can be seen in the reliefs from Djoser's Step Pyramid complex.[2]

Contents

The stretched "shen ring", the cartouche [link]

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Shen ring –(in talons)
Cartouche
in hieroglyphs

The symbol could be stretched to contain other objects, which were then understood as being eternally protected by the shen ring. When it contained the name of the pharaoh the symbol became the cartouche. The word shen itself means, in Egyptian, encircle.


[edit] Shen ring uses in iconography

The Shen ring is the 'shenu'.

Kom Ombo, Goddess Nekhbet, staff, with Shen ring.
  • The Goddess Heqet, (the 'Frog'), is often seated on a shenu.
  • For Eternity, the renpit, papyrus stalk is usually based on top of a Shen ring. See the Egyptian god Huh. (Senusret I has a famous Lintel relief showing this.)
  • The Shen ring is often attached to various types of staffs, the staff of authority, or power, symbolizing the Eternal authority of that power.
  • The Goddess Isis, and the Goddess Nekhbet are often shown kneeling, with their hands resting upon a shenu.
  • The Hawk (Horus), and the Vulture (Goddess Mut) have the shenu in their talons, wings outstretched, over the scene portrayed. The "Horus with Outstretched Wings", shenu's in its talons, is an example from the Louvre of a Pectoral Brooch, possibly for royalty.

See also [link]

References [link]

  1. ^ UCLA Encyclopedia of Egyptology online: definition cartouche
  2. ^ Kemp, B. 2007. Ancient Egypt. Anatomy of a Civilisation. pp106

Bibliography [link]

  • Kemp, Barry (2007). Ancient Egypt. Anatomy of a Civilisation. Routledge, Oxford.. 

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*-algebra

In mathematics, and more specifically in abstract algebra, a *-algebra (or involutive algebra) is a mathematical structure consisting of two involutive rings R and A, where R is commutative and A has the structure of an associative algebra over R. Involutive algebras generalize the idea of a number system equipped with conjugation, for example the complex numbers and complex conjugation, matrices over the complex numbers and conjugate transpose, and linear operators over a Hilbert space and Hermitian adjoints.

Terminology

*-ring

In mathematics, a *-ring is a ring with a map * : AA that is an antiautomorphism and an involution.

More precisely, * is required to satisfy the following properties:

  • (x + y)* = x* + y*
  • (x y)* = y* x*
  • 1* = 1
  • (x*)* = x
  • for all x, y in A.

    This is also called an involutive ring, involutory ring, and ring with involution. Note that the third axiom is actually redundant, because the second and fourth axioms imply 1* is also a multiplicative identity, and identities are unique.

    Ring (Suzuki novel)

    Ring (リング Ringu) is a Japanese mystery horror novel by Koji Suzuki, first published in 1991, and set in modern-day Japan. It was the basis for a 1995 television film (Ring: Kanzenban),a television series (Ring: The Final Chapter), a film of the same name (1998's Ring), and two remakes of the 1998 film: a South Korean version (The Ring Virus) and an American version (The Ring).

    Plot synopsis

    After four teenagers mysteriously die simultaneously in Tokyo, Kazuyuki Asakawa, a reporter and uncle to one of the deceased, decides to launch his own personal investigation. His search leads him to "Hakone Pacific Land", a holiday resort where the youths were last seen together exactly one week before their deaths. Once there he happens upon a mysterious unmarked videotape. Watching the tape, he witnesses a strange sequence of both abstract and realistic footage, including an image of an injured man, that ends with a warning revealing the viewer has a week to live. Giving a single means of avoiding death, the tape's explanation ends suddenly having been overwritten by an advertisement. The tape has a horrible mental effect on Asakawa, and he doesn't doubt for a second that its warning is true.

    Ring (film)

    Ring (リング Ringu) is a 1998 Japanese psychological horror film directed by Hideo Nakata, adapted from the novel Ring by Kôji Suzuki, which in turn draws on the Japanese folk tale Banchō Sarayashiki. The film stars Nanako Matsushima, Hiroyuki Sanada, and Rikiya Ōtaka. The film follows TV reporter and single mother Reiko who is caught up in a series of deaths surrounding a cursed video tape.

    Production took approximately 9 months.Ring and its sequel Rasen were released in Japan at the same time.

    After release, Ring inspired numerous follow-ups within the Ring franchise and triggered a trend of Western remakes.

    Plot

    Two teenagers, Masami (Hitomi Satō) and Tomoko (Yūko Takeuchi), talk about a videotape recorded by a boy in Izu which is fabled to bear a curse that kills the viewer seven days after watching. Tomoko reveals that a week ago, she and three of her friends watched a weird tape and received a call after watching. Tomoko is killed by an unseen force as Masami watches, horrified.

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