Shellshock or shell shock may refer to:
Shellshock, also known as Bashdoor, is a family of security bugs in the widely used Unix Bash shell, the first of which was disclosed on 24 September 2014. Many Internet-facing services, such as some web server deployments, use Bash to process certain requests, allowing an attacker to cause vulnerable versions of Bash to execute arbitrary commands. This can allow an attacker to gain unauthorized access to a computer system.
Stéphane Chazelas contacted Bash's maintainer, Chet Ramey, on 12 September 2014 telling Ramey about his discovery of the original bug, which he called "Bashdoor". Working together with security experts, he soon had a patch as well. The bug was assigned the CVE identifier CVE-2014-6271. It was announced to the public on 24 September 2014 when Bash updates with the fix were ready for distribution.
The first bug causes Bash to unintentionally execute commands when the commands are concatenated to the end of function definitions stored in the values of environment variables. Within days of the publication of this, intense scrutiny of the underlying design flaws discovered a variety of related vulnerabilities, (CVE-2014-6277, CVE-2014-6278, CVE-2014-7169, CVE-2014-7186, and CVE-2014-7187); which Ramey addressed with a series of further patches.
"Shellshock" is a single released by British group New Order in March 1986. The song originally appeared on the soundtrack to the movie Pretty in Pink one month prior to its single release. Production is credited to New Order and John Robie, and is loosely inspired by the 1983 Robie-produced R&B club hit, "One More Shot" - a studio project where Robie performed under the band name, C-Bank, and featuring vocals by Jenny Burton.
The single had differing B-sides; in the UK (catalogue number: FAC 143) the 7" came with the recycled "Thieves Like Us Instrumental" which also turned up in the movie Pretty in Pink (although not on the soundtrack), while the 12" had a dub mix titled "Shellcock". The US release had the also previously released instrumental version of "Thieves Like Us," which had appeared on the Murder 12" single on Factory Benelux.
The 12" boasts an extended remix of the song running nearly ten minutes, arguably New Order's longest recording behind the original cut of "Elegia". For the release of the popular singles compilation Substance, the original Pretty in Pink soundtrack version was not used, as is widely believed, but an edited version of the 12" remix cut down to six and a half minutes omitting an entire verse of vocals. It is this version that appears most often on CD. The 9:41 single remix does not appear on any subsequent New Order compilations, however it surfaced on CD and digital download in 2011 on Volume 6 of the Blank & Jones Soeighties compilation series, titled "Extended Version".
The Sigma is an experimental glider developed in Britain from 1966 by a team led by Nicholas Goodhart. After disappointing performance during flight testing the Sigma was passed on to a Canadian group which carried out modifications, making the Sigma more competitive.
Designed to compete in the 1970 World Championships, the team aimed to develop a wing that would climb well through a high lift coefficient and a large wing area, but equally had the "maximum possible reduction of area for cruise at low lift coefficients". At the same time for the minimum possible drag they aimed for "extensive" laminar flow. To achieve this they employed flaps that would alter both wing area and wing camber. Based on analysis of the nature of thermals encountered in cross-country flying, they reasoned that by having a slow turning circle, their sailplane could stay close to the central (and strongest) part of the thermal and gain maximum benefit.
Its unusual feature is its ability to vary its wing area using Fowler flaps. It had been tried before by the Hannover Akaflieg in 1938 with their AFH-4, the South African Beatty-Johl BJ-2 Assegai and the SZD Zefir gliders.
Sigma in cosmology was a property of galaxies used when trying to work out the mystery of galaxies and their supermassive black holes.
In the late 1990s the NUKER experts had made observations with a spectroscope of two galaxies, one of an active galaxy with an active galactic nucleus called NGC10-68 and a dormant galaxy next door to us named Andromeda.
The observations are shown. The light from the centre in Andromeda galaxy was distorted proving the existence of super-massive black holes.
Other observations proved most galaxies had a similar centre whether it be active or dormant.
They then realised that the black holes must have something to do with a galaxy's formation, so they turned to something they thought was useless: the speed of the stars around the edge of the galaxy. This was Sigma, the speed of the stars at the edge of the galaxy supposedly unaffected by the mass of the black hole at the centre.
The NUKER team calculated the sigma of several stars in different galaxies and the mass of the black hole at the (nucleus) centre. They expected no correlation what so ever. But when plotting their results on a Scatter diagram and drawing a line of best fit they ended up with a positive correlation. It appeared that the heavier the black hole at the centre was the faster the stars within the galaxy travelled.
Sigma is an English drum and bass duo consisting of Cameron Edwards and Joe Lenzie. They met at Leeds University at drum and bass nights. Their 2010 collaboration with DJ Fresh, "Lassitude", peaked at number 98 on the UK Singles Chart. Their single "Nobody to Love" topped the UK Singles Chart, becoming their first UK number one. Follow-up single "Changing", featuring Paloma Faith, also got to number one.
Lenzie and Edwards met in 2006 at Leeds University; Cameron was working in local record store Tribe Records and with Echo Location's Obi running local night Event Horizon, while Lenzie was DJing hip-hop and warming up Event Horizon for such acts as Rahzel and Grandmaster Flash. Once they had finished in Leeds, they relocated to London and became a three-piece with Edwards' school friend Ben Mauerhoff, being signed under DJ Fresh's Breakbeat Kaos. After a while, long distances took their toll – Edwards and Mauerhoff were based in Surrey, whereas Lenzie was based in Harpenden, Hertfordshire and they couldn't get three people into the Harpenden studio – and Mauerhoff left. In December 2008 they formed their own record label, Life Recordings (so called because, according to Lenzie, the industry demanded that it be their life). Its inaugural release was a VIP mix of their early Bingo Beats single "El Presidente".