Midden

A midden (also kitchen midden or shell heap; from early Scandinavian; Danish: mødding, Swedish regional: mödding) is an old dump for domestic waste which may consist of animal bone, human excrement, botanical material, vermin, shells, sherds, lithics (especially debitage), and other artifacts and ecofacts associated with past human occupation. The word is of Scandinavian via Middle English derivation, but is used by archaeologists worldwide to describe any kind of feature containing waste products relating to day-to-day human life. They may be convenient, single-use pits created by nomadic groups or long-term, designated dumps used by sedentary communities that accumulate over several generations.

These features, therefore, provide a useful resource for archaeologists who wish to study the diet and habits of past societies. Middens with damp, anaerobic conditions can even preserve organic remains in deposits as the debris of daily life are tossed on the pile. Each individual toss will contribute a different mix of materials depending upon the activity associated with that particular toss. During the course of deposition sedimentary material is deposited as well. Different mechanisms, from wind and water to animal digs, create a matrix which can also be analyzed to provide seasonal and climatic information. In some middens individual dumps of material can be discerned and analysed.

Mound

A mound is an artificial heaped pile of earth, gravel, sand, rocks, or debris. The most common use is in reference to natural earthen formation such as hills and mountains, particularly if they appear artificial. The term may also be applied to any rounded area of topographically higher elevation on any surface. Artificial mounds have been created for a variety of reasons throughout history, including ceremonial (platform mound), burial (tumulus), and commemorative purposes (e.g. Kościuszko Mound).

Archaeology

North American archaeology

In the archaeology of the United States and Canada, the term "mound" has specific and technical connotations. In this sense, a mound is a deliberately constructed elevated earthen structure or earthwork, intended for a range of potential uses. In European and Asian archaeology, the word "tumulus" may be used as a synonym for an artificial hill, particularly if the hill is related to particular burial customs.

While the term "mound" may be applied to historic constructions, most mounds in the United States are pre-Columbian earthworks, built by Native American peoples. Native Americans built a variety of mounds, including flat-topped pyramids or cones known as platform mounds, rounded cones, and ridge or loaf-shaped mounds. Some mounds took on unusual shapes, such as the outline of cosmologically significant animals. These are known as effigy mounds. Some mounds, such as a few in Wisconsin, have rock formations, or petroforms within them, on them, or near them.

Mound (disambiguation)

A mound is an artificial heap or pile, especially of earth, rocks, or sand.

Mound and Mounds may also refer to:

In places:

See also:

Rift (album)

Rift is the fourth official studio album by the American rock band Phish. It is the band's second concept album, the first being The Man Who Stepped into Yesterday in 1987, which has never been officially released. Rift's songs convey the experience of a man dreaming about the rift in his relationship with his girlfriend. Recorded in September and October 1992 and produced by Muscle Shoals music veteran Barry Beckett, the album was released by Elektra Records on February 2, 1993.

All songs were written by Trey Anastasio and Phish lyricist Tom Marshall except "Mound" and "Weigh" by bass guitarist Mike Gordon and "Lengthwise" by drummer Jon Fishman.

The instrumental, "All Things Reconsidered", is an intentional variation on the theme to the National Public Radio news show All Things Considered, and has been featured on the show itself several times. An orchestral version of the song appears on Trey Anastasio's 2004 solo album Seis De Mayo.

The cover art was created by New York-based painter David Welker, who worked closely with the band during winter 1993 in order to visually depict each of the album's tracks in a single image, with the notable exception of "The Horse". (For this reason, a horse intentionally appears on the cover of Phish's next album, Hoist). Relix magazine listed Rift as one of the most iconic album covers of all time in 2007.