Skerik's Syncopated Taint Septet (also known as SST7) is a jazz ensemble formed in Seattle, Washington, in 2002.
Although uniquely merging jazz and funk, the music of Skerik's Syncopated Taint Septet can also include "New Orleans flavors", solid grooves, swing and hip hop, combined into something both appealing and undefinable. Their music has been self-described by Skerik as "...punk-jazz. Maybe a punk-jazz version of the Thelonious Monk Octet."
A theme in the music is a recognition that traditional jazz having reached a zenith in the early 1960s cannot be contained in reverence. The Syncopated Taint Septet is a synthesis of traditional music with current and experimental music forms. The project displays a band member equality with "leads being shared by everyone."
Their first album, Skerik's Syncopated Taint Septet, was recorded live at the Owl and Thistle in Seattle and was released in 2003. It was reviewed as occasionally loud, yet also having a "spirited [and] immediate musicianship." Although popularly associated with jam band music, an improvisational distinction can be made regarding the large musical vocabulary displayed by the band in the recording.
USS Mackerel (SST-1), originally known as USS T-1 (SST-1), was the lead ship of the T-1-class of training submarines. She was the second submarine of the United States Navy named for the mackerel, a common food and sport fish, and was in service from 1953 to 1973. She was one of the smallest operational submarines ever built for the U.S. Navy.
T-1 was originally planned as an experimental auxiliary submarine with hull number AGSS-570, but she was redesignated as a training submarine (SST-1) and her hull number was changed to SST-1. She was laid down on 1 April 1952, at the Electric Boat Division of General Dynamics Corporation at Groton, Connecticut. She was launched on 17 July 1953, sponsored by Mrs. Charles R. Muir, and placed in non-commissioned service as USS T-1 on 9 October 1953, with Lieutenant J. M. Snyder, Jr., in command.
After completing sea trials in the New London, and Massachusetts Bay areas, T-1 departed in February 1954 for Key West, Florida. Arriving at Key West, she commenced operations with submarine and antisubmarine forces in the areas of southern Florida and Guantanamo Bay, Cuba, providing services to the Fleet Training Group working up recently constructed and recently overhauled antisubmarine warships.
SST-1 (steady state superconducting tokamak) is a plasma confinement experimental device in the Institute for Plasma Research (IPR), an autonomous research institute under Department of Atomic Energy, India. It belongs to a new generation of tokamaks with the major objective being steady state operation of an advanced configuration ('D' Shaped) plasma. It has been designed as a medium-sized tokamak with superconducting magnets.
The SST-1 project will increase India's stronghold in a selected group of countries who are capable of conceptualizing and making a fully functional fusion based reactor device. The SST-1 System is housed in Institute for Plasma Research, Gandhinagar. The SST-1 mission has been chaired by eminent Indian plasma physicists like Prof. Y.C. Saxena, Dr. Chenna Reddy, and is headed by Dr. Subrata Pradhan.
Next stage of the SST-1 mission, the SST-2, dubbed as 'DEMO', has already been initiated.
Backë is a village in the former municipality of Potom in Berat County, Albania. At the 2015 local government reform it became part of the municipality Skrapar.
The human back is the large posterior area of the human body, rising from the top of the buttocks to the back of the neck and the shoulders. It is the surface opposite to the chest, its height being defined by the vertebral column (commonly referred to as the spine or backbone) and its breadth being supported by the ribcage and shoulders. The spinal canal runs through the spine and provides nerves to the rest of the body.
The central feature of the human back is the vertebral column, specifically the length from the top of the thoracic vertebrae to the bottom of the lumbar vertebrae, which houses the spinal cord in its spinal canal, and which generally has some curvature that gives shape to the back. The ribcage extends from the spine at the top of the back (with the top of the ribcage corresponding to the T1 vertebra), more than halfway down the length of the back, leaving an area with less protection between the bottom of the ribcage and the hips. The width of the back at the top is defined by the scapula, the broad, flat bones of the shoulders.
The back describes the area of horse anatomy where the saddle goes, and in popular usage extends to include the loin or lumbar region behind the thoracic vertebrae that also is crucial to a horse's weight-carrying ability. These two sections of the vertebral column beginning at the withers, the start of the thoracic vertebrae, and extend to the last lumbar vertebra. Because horses are ridden by humans, the strength and structure of the horse's back is critical to the animal's usefulness.
The thoracic vertebrae are the true "back" vertebral structures of the skeleton, providing the underlying support of the saddle, and the lumbar vertebrae of the loin provide the coupling that joins the back to the hindquarters. Integral to the back structure is the rib cage, which also provides support to the horse and rider. A complex design of bone, muscle, tendons and ligaments all work together to allow a horse to support the weight of a rider.
The structure of the back varies from horse to horse and varies a great deal by breed, age and condition of the animal.
She came back and blew my mind away
with her talk about the memories and childhood dreams and
the games we used to play
She walked through and she demanded my time
but all I gave her was my advice and I told her twice
don’t you dare leave my head on the line
Don’t take them away from me for my dreams they’re all I
have
How was I to see you'd be back to me thinking you could
take my hand
She came back and blew my mind away
with her talk about the memories and the childhood dreams
yes those games we used to play
She’d seen my face said it made her smile
But don’t you come around here no more
knocking at my door cos’ I ain’t the man that you left
behind
Don’t take them away from me they’re my dreams they’re
all I have
How was I to see you'd be back to me thinking you could
take my hand
don’t take them away from me they’re my dreams they’re
all I have
How was I to see you'd be back to me thinking you could
take my hand
don’t take them away from me there my dreams there all I
have how could I conceal just how I feel from a lover or