Share is a 2015 American short drama film written and directed by Pippa Bianco, and starring Taissa Farmiga, Keir Gilchrist, Andre Royo, and Madisen Beaty. It follows a 15-year-old girl as she returns to school after an explicit video of her goes viral online. The film had its world premiere at the South by Southwest Film Festival on March 14, 2015, where it won the Special Jury Recognition Award for Narrative Short. It was then selected as the only American short film in the 2015 Cannes Film Festival, screening on May 20, 2015. The film won the first prize Cinéfondation Award at the festival. It went on to screen at the Telluride Film Festival on September 6, 2015.
On her first day back at school, 15-year-old Krystal (Taissa Farmiga) attempts to restore her privacy after a sexually explicit video of her goes viral on the Internet, from a night she doesn't remember.
In financial markets, a share is a unit of account for various investments. It often means the stock of a corporation, but is also used for collective investments such as mutual funds, limited partnerships, and real estate investment trusts.
Corporations issue shares which are offered for sale to raise share capital. The owner of shares in the corporation is a shareholder (or stockholder) of the corporation. A share is an indivisible unit of capital, expressing the ownership relationship between the company and the shareholder. The denominated value of a share is its face value, and the total of the face value of issued shares represent the capital of a company, which may not reflect the market value of those shares.
The income received from the ownership of shares is a dividend. The process of purchasing and selling shares often involves going through a stockbroker as a middle man.
Shares are valued according to various principles in different markets, but a basic premise is that a share is worth the price at which a transaction would be likely to occur were the shares to be sold. The liquidity of markets is a major consideration as to whether a share is able to be sold at any given time. An actual sale transaction of shares between buyer and seller is usually considered to provide the best prima facie market indicator as to the "true value" of shares at that particular time.
Why There Are Mountains is an independently released album by indie rock band Cymbals Eat Guitars. The album was initially self-released, then re-released after the band signed to Sister's Den Records in late 2009. The LP version of the album is currently only available via Insound.
All songs written and composed by Joseph D'Agostino.
The following people contributed to Why There Are Mountains
Why There Are Mountains received mostly positive reviews from critics. The album currently has a 78 out of 100 rating on the review aggregate site Metacritic, which indicates "generally favorable reviews."
Share (シャレ(洒落),シェア) is the name for a closed-source P2P application being developed in Japan by an anonymous author. Since the author of Winny was arrested, Share was developed as its successor, also focusing on higher security. Share functions in much the same manner as Winny, using encrypted caches, file names and IP addresses, and is based on the same node-organized architecture as Winny.
Share uses encryption to hide the identity of who is transferring or what they are transferring. It is non-centralized so it cannot be easily shut down and it supports multiple source "swarm" downloading. All files are transferred encrypted so they must be decrypted upon download completion. In the meantime they are stored in encrypted form in a "Cache" folder. This folder is also used to allow recently downloaded files to be shared among the network based on priorities.
Share also features a plugin system. The plugins and PDK are readily available through the Share network. The PDK is written in Delphi.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.