Sham (play)

Sham is a 1920 one-act stage play by Frank G. Tompkins. Described as A Social Satire, it was about a thief who is caught robbing a couple's home.

Plot

Consisting of four characters, the comedy is set in a room of a house in a wealthy area. A cultured thief is attempting to rob the house, after he has stolen fine art from other houses in the area, but he finds the objects in the house are of poor quality. The owners of the house, Clara and Charles, come home unexpectedly after supposedly being at the theatre (they were actually at a movie). The thief informs them that, if he does not steal something from them, they will be disgraced as people find out their home contains no real fine works.

Television adaptations

The play was adapted various times for early television. Three of these adaptations are documented.

A version aired live on 28 January 1945 on New York City station WABD, later part of the DuMont Television Network. Featuring Frieda Inescort, Melville Cooper, Harvey Stephens, and Charles Williams, it is lost, as methods to record live television were not developed until late 1947.

Play

Play may refer to:

In literature and publications

In films

In television

Play (Joanna MacGregor album)

Play is a 2002 album by Joanna MacGregor. The album was released on the SoundCircus label and was a nominee for the Mercury Music Prize.

References

Play (Robyn song)

"Play" is a song by Swedish recording artist Robyn from her second studio album My Truth (1999). Robyn wrote the track in collaboration with Ulf Lindström and Johan Ekhé, who also helmed production. BMG Sweden released it as the album's second single on 21 July 1999 with the non-album song "Good Thang" as its B-side. Musically, "Play" contains some world music influences and a "playful" vibe.

"Play" received positive critical response and became Robyn's seventh consecutive top 40 entry on the Sverigetopplistan singles chart, where it peaked at number 31. The singer performed the song live while promoting the parent album, but the single itself received limited promotion. As with the album, "Play" was not serviced outside of Sweden.

Background and composition

"Play" was written by Robyn, Ulf Lindström and Johan Ekhé. Lindström and Ekhé recorded Robyn's vocals and produced the track at Lifeline Studios in Stockholm, Sweden. Almnils Erson, Pär-Ola Claesson, Gunilla Markström and Olle Markström played the strings and Niklas Gabrielsson provided handclaps, while Lindström and Ekhé played all other instruments. The duo also managed arrangement and mixing; both these tasks were done at Lifeline Studios. Britta Bergström and Angela Holland sang backing vocals alongside Robyn. Björn Engelmann and Henrik Jonsson were enlisted to master the track at Cutting Room Studios in Stockholm.

Sham

Sham may refer to:

Arabic use

English use

Sham 69

Sham 69 is an English punk rock band that formed in Hersham in 1976. The band was one of the most successful punk bands in the United Kingdom, achieving five Top 20 singles. The original unit broke up in 1979, with frontman Jimmy Pursey moving on to pursue a solo career.

In 1987 Pursey and guitarist David Parsons reformed the band, joined by new personnel. Although subsequently going through a number of lineup changes, Sham 69 remains active and is still playing shows as of 2015.

History

Formation

Sham 69 formed in Hersham in 1976. The band's name is said to have derived from a piece of graffiti that founder Jimmy Pursey saw on a wall. It originally said Walton and Hersham '69 but had partly faded away, and made reference to when Walton & Hersham F.C. secured the Athenian League title in 1969.

The 12 November 1976 issue of NME noted that Sham 69 was rehearsing in 1976, although only Pursey would remain from this early line-up twelve months later. Sham 69 did not have the art school background of many English punk bands of the time, and brought in football chant backup vocals and an inarticulate political populism. The band attracted a large skinhead following (left wing, right wing and non-political). Their concerts were plagued by violence, and the band ceased live performances after a 1979 concert at the Rainbow Theatre in Finsbury Park was broken up by National Front-supporting white power skinheads fighting and rushing the stage.