Threnody

A threnody is a song, hymn or poem of mourning composed or performed as a memorial to a dead person. The term originates from the Greek word threnoidia, from threnos "wailing" and oide "ode", the latter ultimately from the Proto-Indo-European root *wed- ("to speak") that is also the precursor of such words as "ode", "tragedy", "comedy", "parody", "melody" and "rhapsody".

Synonyms include "dirge", "coronach", "lament" and "elegy". The Epitaphios Threnos is the lamentation chanted in the Eastern Orthodox Church on Holy Saturday. John Dryden commemorated the death of Charles II of England in the long poem Threnodia Augustalis, and Ralph Waldo Emerson wrote a "Threnody" in memory of his son.

Examples of threnody

Threnody (comics)

Threnody is a fictional character created by Marvel Comics for the X-Men series. She was originally featured as a sort of "hound" for Mister Sinister, but this depth was fully explored in the series X-Man which came much later.

Fictional character biography

Melody Jacobs was born in Manhattan and led a relatively normal life until her mutant powers manifested in adolescence. She found herself feeding off of the energies released by the dead and the dying, energies so dark and primal she found herself lost in them. Some of the residual slivers of the dead’s souls lingered in her mind as she absorbed this energy, leaving her psyche in a state of chaos. Melody became a runaway and lived on the streets alone for a week before she was found by Emil Blonsky, the gamma-mutated Abomination. The Abomination had established himself as the lord of a clan of homeless and runaways known as the Forgotten, who took refuge in the sewers under the city. Melody spent weeks lying in a fugue-like state in Blonsky’s “Last Lair”, cared for by the sewer dwellers he championed. One older couple looked after Melody most of the time and called her “Threnody” after the mournful cries she made in-between her brief periods of lucidity. Sadly, no one was prepared for the second stage of Threnody’s mutation. She violently released the “death-purge” her body had built up, killing her kindly caretakers in an instant.

Threnody (disambiguation)

Threnody is a song, hymn or poem of mourning composed or performed as a memorial to a dead person.

Threnody may also refer to:

Shallow

Shallow may refer to:

People

Places

Other

Shallow (song)

"Shallow" is a single by British progressive rock band Porcupine Tree, taken from the Deadwing album, released in January 2005 exclusively in the United States for radio broadcast purposes. The song managed to enter the Billboard's Hot Mainstream Rock Tracks chart, peaking at #26, without the help of any music video.

An European version of the single was first intended but rejected at the last minute, even though it had already started being manufactured. The band and their management asked to destroy all copies but a few made their way to the surface and were sold at some German and Polish stores. The management quickly bought all the remaining copies and sold them (signed only) at the shows for 40 Euro.

"Shallow" was featured in the movie and on the soundtrack for the film Four Brothers in which credits Colin Edwin curiously appears as Colin Balch; he is also credited under this name in the manuscript book for Deadwing.

Track listing

Personnel

Realistic (album)

Realistic is the debut album by American indie pop band Ivy. It was released on February 14, 1995 by Seed Records. Musically, the album followed the material featured on Ivy's previous release, Lately. The album took influence from indie pop music, with partial influence from indie rock. Ivy collaborated with famed producer, Kurt Ralske, for each track. Lyrically, each track was written by band members, Dominique Durand, Andy Chase, and Adam Schlesinger.

Realistic received positive reviews from critics upon release. Commercially unsuccessful, the album did not peak on any record chart, nor did the singles released from the album.

Three singles were released from the album. "Get Enough", the album's lead single, was released in 1994 to general acclaim from critics, especially in the United Kingdom where it was promoted heavily. Singles "Don't Believe a Word" and "Beautiful" were both released in 1995 to highly positive reviews, but less success than "Get Enough".

Critical reception