A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
Most commonly, remixes are associated with music and songs. Songs are remixed for a variety of reasons:
A remix is an alternative version of a recorded work.
Remix may also refer to:
In music:
In other media:
In technology
Remix is a Danish 2008 feature film directed by Martin Hagbjer starring Micky Skeel Hansen as a 16-year-old pop singer Ruben. Remix is inspired by the true story of Danish pop idol Jon Gade Nørgaard known by the mononym Jon. Jon was also the subject of the documentary feature film Solo released in 2007. The film was released on January 25, 2008.
Ruben (played by Micky Skeel Hansen), an aspiring young man is offered a record contract by the music executive Tanya (portrayed by Camilla Bendix). The film, which co-stars Jakob Cedergren, Sofie Lassen-Kahlke, Henrik Prip and Anette Støvelbæk, follows Ruben's fall from grace in the hands of the music industry.
TDR may refer to:
In science and medicine:
In publications:
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TDR: The Drama Review is an academic journal focusing on performances in their social, economic, aesthetic, and political contexts. The journal covers dance, theatre, music, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life.
TDR:The Drama Review was founded in 1955 by Robert W. Corrigan as the "Carlton Drama Review" (so named because Corrigan was a faculty member at Carlton College). Corrigan took TDR with him to Tulane University in 1957 where he renamed it the Tulane Drama Review. In 1962, Corrigan left Tulane for Carnegie Mellon University and Richard Schechner became editor. Schechner left Tulane for New York University in 1967 taking TDR with him renaming it TDR: The Drama Review. Erika Munk succeeded Schechner as editor in 1969. Michael Kirby became editor in 1970. In 1986, Kirby resigned and Schechner resumed TDR's editorship. Schechner continues as editor as of 2010. TDR is owned by New York University and is published in hard copy and online by the MIT Press.
Carmageddon TDR 2000 (also known as Carmageddon: Total Destruction Racing 2000 or Carmageddon 3: TDR 2000 in North America), is an action-racing-vehicular combat video game. The sequel to Carmageddon II: Carpocalypse Now, it was developed by Torus Games and released in the United Kingdom on September 1, 2000, and on December 14 in North America. Stainless Games were not involved with this release.
The title is a homage to the inspiration for the Carmageddon series, Death Race 2000. As with the other games in the series, one of the most controversial aspects was that pedestrians could be killed by immolation (being set on fire) or graphic collisions that could include dismemberment. In some countries, the human pedestrians were replaced with zombies - actually only changing the red blood to green slime - but patches were circulated on the internet that reverted the game to its original state.
While still part of the game series' canon, the gameplay was not a significant advancement on the original, which resulted in poor sales for the game and blurred the chances of a 4th installment of the series. However, almost 12 years later, a long awaited 4th installment of the series was announced on the official site, called Carmageddon: Reincarnation.
The modal verbs of English are a small class of auxiliary verbs used mostly to express modality (properties such as possibility, obligation, etc.). They can be distinguished from other verbs by their defectiveness (they do not have participle or infinitive forms) and by the fact that they do not take the ending -(e)s in the third-person singular.
The principal English modal verbs are can, could, may, might, must, shall, should, will and would. Certain other verbs are sometimes, but not always, classed as modals; these include ought, had better, and (in certain uses) dare and need. Verbs which share some but not all of the characteristics of the principal modals are sometimes called "semimodals".
The verbs customarily classed as modals in English have the following properties: