The Southern Tenant Farmers' Union (STFU) was founded in 1934 as a civil farmer's union to further organize the tenant farmers in the Southern United States.
Originally set up during the Great Depression in the United States, the reasons for the establishment of the STFU are numerous, although they are all largely centered upon money and working conditions. Predominantly, the STFU was established as a response to policies of the Agricultural Adjustment Administration (AAA). The AAA itself was designed by President Franklin D. Roosevelt to help revive the United States' agricultural industry and to recharge the depressed economy.
The AAA called for a reduction in food production, which would, through a controlled shortage of food, raise the price for any given food item through supply and demand. The desired effect was that the agricultural industry would once again prosper due to the increased value and produce more income for farmers. In order to decrease food production, the AAA would pay farmers not to farm and the money would go to the landowners. The landowners were expected to share this money with the tenant farmers. While a small percentage of the landowners did share the income, the majority did not. This led to the formation of the STFU, whose existence serves historically as evidence that such a problem existed.
Shake! (formerly The Core and Milkshake! FM) was a television programming block shown by United Kingdom broadcaster Channel 5, original aimed at 8 to 15 year olds.
The block originally ran between 2000 and 2007 under various names, and was launched as a new umbrella branding for older kids' programmes on Channel 5 following the earlier demise in 1999 of the Josie D'Arby-hosted weekend afternoon teen series The Mag.
The block launched in 2000 as "The Core", broadcasting Saturday afternoons. A number of original commisonmed programmes were created for the block, such as Harry and Cosh and Atlantis High, a number of imported teens shows were also used.
In Channel 5's major network relaunch of 2002 "The Core" was renamed to Milkshake! FM in January 2002, taking its name from the established Channel 5 preschool-age slot Milkshake!. This block aired in the mid-morning (circa 9am-noon) on Saturdays and Sundays, while a number of programmes aired during the core continued to be broadcast during Saturday afternoon. During late 2002, it was re-branded again as Shake!.
Graffiti Bridge is the twelfth studio album by American recording artist Prince and is the soundtrack album to the 1990 film of the same name. It was released on August 20, 1990 by Paisley Park Records and Warner Bros. Records.
The album was much better received in sales than the film, reaching #6 in the United States and #1 in the United Kingdom. Nearly every song on the record was written by Prince despite the handful of artists performing, including Tevin Campbell, Mavis Staples and The Time. The album produced the hit singles "Thieves in the Temple" and "New Power Generation", an anthem in two parts celebrating Prince's newly created backing band, The New Power Generation. The band would get its first official outing on Prince's next album, Diamonds and Pearls. Though its 17 tracks constituted a double album, the significance of this was obscured by the rising popularity of the CD format.
The concept for the album and film began as early as 1987, or possibly earlier, but kept getting delayed for various reasons. The title track was originally recorded during this period, hence the liner notes listing Sheila E. and Boni Boyer as performers on the track. In fact, nearly the entire album is composed of previously recorded tunes that were updated for this release.
Shake! is an album by the blues-rock group the Siegel–Schwall Band. Their third album, it was released in 1968 by Vanguard Records as a vinyl LP. It was later re-released as a CD, also on the Vanguard label.
Shake! was the group's last album to feature Jack Dawson on bass guitar and Russ Chadwick on drums.
On Allmusic, Cub Koda wrote, "Shake! was probably the group's second best album and certainly the one that came the closest to representing their live act.... Lots of fun and fireworks on this one, the sound of a band at the top of their game."