Jūjō (十条 or 十條) literally means tenth street in Japanese. It may also refer to:
JJ or jj may refer to:
Jùjú is a style of Nigerian popular music, derived from traditional Yoruba percussion. The name comes from a Yoruba word "juju" or "jiju" meaning "throwing" or "something being thrown." Juju music did not derive its name from juju, which "is a form of magic and the use of magic objects or witchcraft common in West Africa, Haiti, Cuba and other South American nations." It evolved in the 1920s in urban clubs across the countries, and was believed to have been created by AbdulRafiu Babatunde King, popularly known as Tunde King. The first jùjú recordings were by Tunde King and Ojoge Daniel from the same era of the 1920s when Tunde King pioneered it. The lead and predominant instrument of Jùjú is the Iya Ilu,"' talking drum.
Some Jùjú musicians were itinerant, including early pioneers Ojoge Daniel, Irewole Denge and the "blind minstrel" Kokoro.
Afro-juju is a style of Nigerian popular music, a mixture of Jùjú music and Afrobeat. Its most famous exponent was Shina Peters, who was so popular that the press called the phenomenon "Shinamania". Afro-juju's peak of popularity came in the early 1990s.
Shag, Shags, Shagged or Shagging may refer to:
A shag cut is a hairstyle that has been layered to various lengths. It was created by the barber Paul McGregor. The layers are often feathered at the top and sides. The layers make the hair full around the crown, and the hair thins to fringes around the edges. This unisex style became popular after being worn by various celebrities, including Joan Jett, Mick Jagger, Rod Stewart, David Cassidy, Jane Fonda and Florence Henderson in the 1970s. During the 1990s Jennifer Aniston popularized "The Rachel" hairstyle, and Meg Ryan wore a shag in the early 2000s.
Shag (also known as Shag: The Movie) is a 1989 American comedy film starring Bridget Fonda, Phoebe Cates, Annabeth Gish, Page Hannah, Jeff Yagher and Scott Coffey. The film features Carolina shag dancing and was produced in cooperation with the South Carolina Film Commission. The soundtrack album was on Sire/Warner Bros. Records.
The film is a lighthearted story of four teenage girlfriends of various temperaments who escape from their parents for a few days in 1963 for an adventure in Myrtle Beach, South Carolina where the big spring festival promises a dance contest, beer blasts and lots of cute boys. Carson (Phoebe Cates) is engaged to a rich but square young man, Melaina (Bridget Fonda) fancies herself as a Hollywood sexpot, Luanne (Page Hannah) wears glasses and is a prim and proper senator's daughter, and Pudge (Annabeth Gish) has recently lost weight but has always been called "Pudge" and suffers from low self-esteem.
The trip is spurred by the upcoming marriage of Carson. During their busy weekend at Myrtle Beach, the four find romance, dance up a storm, and make serious life decisions. Their story chronicles their final farewell to girlhood, and entree into womanhood and focuses on both the girls' moral quandaries and their budding sexualities.