Shaft is a 1971 American blaxploitation film directed by Gordon Parks, released by Metro-Goldwyn-Mayer. An action film with elements of film noir, Shaft tells the story of a private detective, John Shaft, who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a black mobster. It stars Richard Roundtree as John Shaft, Moses Gunn as Bumpy Jonas, Drew Bundini Brown as Willy, Charles Cioffi as Lt. Vic Androzzi, Christopher St. John as Ben Buford, and Gwenn Mitchell and Lawrence Pressman in smaller roles. The movie was adapted by Ernest Tidyman and John D. F. Black from Tidyman's 1970 novel of the same name.
The Shaft soundtrack album, recorded by Isaac Hayes, was also a success, winning a Grammy Award for Best Score Soundtrack Album for a Motion Picture; and a second Grammy that he shared with Johnny Allen for Grammy Award for Best Instrumental Arrangement; Grammy Award for Best Original Score; the "Theme from Shaft" won the Academy Award for Best Original Song and has appeared on multiple Top 100 lists, including AFI's 100 Years…100 Songs.
Shaft is a 2000 American action-thriller film directed by John Singleton, and starring Samuel L. Jackson, Jeffrey Wright, Christian Bale, Pat Hingle, Toni Collette, Busta Rhymes, Vanessa L. Williams, and Mekhi Phifer. This film is not a remake of the 1971 film of the same name, but rather a sequel, therefore it is the fourth and final installment of the original series. An actual reboot was announced in February 2015. Jackson's John Shaft character is the nephew of the original John Shaft. The film received mainly positive reviews and opened at the number one position at the box office when it debuted June 16, 2000.
NYPD Detective John Shaft (Samuel L. Jackson) is called in to investigate the racially motivated murder of Trey Howard (Mekhi Phifer), committed by Walter Wade, Jr. (Christian Bale), the son of a wealthy real estate tycoon. Shaft briefly meets a potential eyewitness to the murder, Diane Palmieri (Toni Collette), but she disappears soon after and cannot be found for the trial. Wade is released on bail and flees to Switzerland.
Shaft, Inc. (株式会社シャフト Kabushikigaisha Shafuto) is a Japanese animation studio founded on September 1, 1975 by Hiroshi Wakao. They are best known for their unique use of gags, references, avant garde cinematography notably in Pani Poni Dash!, Maria Holic, Sayonara Zetsubō Sensei, Hidamari Sketch, Puella Magi Madoka Magica, Nisekoi, and Bakemonogatari.
Shaft was founded on September 1, 1975 by Hiroshi Wakao, former Mushi Production's animator. The company was originally founded to paint the animation but later worked on animation production as a subcontractor. They were able to produce their own first original series, Yume kara, Samenai (夢から、さめない Yume kara, Samenai) in 1987.
In 2000, after Shaft cooperated with Gainax to produce a DVD special of remastered Gunbuster, they were in joint production with Gainax to produce Mahoromatic, This Ugly and Beautiful World, and He is My Master. After Hiroshi Wakao's retirement in 2004, Kubota Mitsutoshi has become Shaft's representative director. Their painting group has also been downsized in order to strengthen their digital group. Since the joint works with Gainax, Shaft focused their efforts on adaptations of acclaimed manga and light novels until 2011 when they released their first original anime series in a decade, Puella Magi Madoka Magica. Shaft has some popularity for its "head tilt"; meaning that in some productions, characters often tilt their head to look at someone or turn around for no reason at all.
Shaft is a 1970 detective novel by Ernest Tidyman. The novel inspired the 1971 film Shaft and subsequent film sequels.
Shaft tells the adventures of John Shaft, an African American private detective based in New York City.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.