Sha or SHA may refer to:
sha. (* January 11, 1972 in Hartberg) is an Austrian artist and perception researcher. He became known through his multimedia art projects such as the House of Music in Vienna and through the artistic lounger object AlphaSphere.
In 1990, Andreas Rodler started studying Composition, Music theory and Electro acoustics at the University of Music and performing arts in Vienna and the Centre Pompidou in Paris. From 1995 to 1996 he spent several months at the sound lab IRCAM – Centre Pompidou Paris. His AlphaSphere was one of the Austrian contributions at International Contemporary Furniture Fair (ICFF 2008) in New York.
Since the middle of the nineties, his artistic work focuses on human perception. In his works, he uses symphonic orchestra, experimental music theatre, sound installations and self-made sound objects. He develops video works, interactive exhibitions and media projects Cooperation with ORF, WDR, BR, ARTE, RADIO FRANCE, EBU.
Today he uses the pseudonym „sha.“ and works on multisensory projects, which aim for new synaesthetic fields of perception through a connection of all senses. Starting with the medium “sound“, connections to other sensations (such as colour, light, shape, haptics, warmth and scent) are established.
Grazia di Fresco, better known by her stage name Sha, is a German singer of Italian descent who rose to fame in the summer of 2006 with her debut single "JaJa".
Sha grew up in Schwieberdingen near Stuttgart. After finishing school in the year 2000 at the Hans Grüninger High School in Markgröningen she moved to Munich and published in 2001 as artist Grazia on an indie label, the song Rome or Paris. The song was not a commercial success. Five years later she wrote a record contract with major label EMI.
Her debut single "JaJa" was released in the beginning of August 2006 and charted right away on the German and Austrian music charts. The song is a cover version of the 1990 hit "Ice Ice Baby" of American rapper Vanilla Ice, for which new German lyrics were written by its producer Ole Wierk. In February 2007, Sha released her second single, the electro-/synthpop song "Vergiss Mich", which is notable for its use of synthesizers.
On August 24, 2007, a double A-side single "Respect the Girls / Verdammt ich lieb dich" was released. There are videos for both songs. "Respect the Girls" was recorded as a part of the action of the German magazine BRAVO Girl, while "Verdammt ich lieb dich" is a cover of the German Schlager singer Matthias Reim. On August 25, Sha was at the Brandenburger Tor in Berlin, supporting the Schau nicht weg! action of BRAVO and VIVA against school violence. On August 31, her first album, Kein Scheiß!, was released.
A sha'ir was a pre-Islamic Arab poet believed to have magical powers.
The origin of the term sha'ir is unknown. The ancient Arab culture viewed the sha'ir as a type of wizard, able to commune with supernatural forces, or djinni, for both knowledge and power. Members of the tribe treated sha'ir as oracles and wisemen. The poems and songs of the sha'ir inspired tribe members during war, and were considered powerful weapons.
In the Dungeons & Dragons fantasy role-playing game, a type of kit, or variation on a character class, called the sha'ir was created for the Al-Qadim campaign setting. In the game, however, sha'ir have actual magical powers, and can communicate with genies. In addition to being advisors, sha'ir can also be found wandering alone in the desert, something the real sha'ir were not known for.
Arabic poetry (Arabic: الشِعْر العَرَبي / ALA-LC: ash-shi‘ru al-‘Arabīyu) is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that.
Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in The Science of ‘Arud. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (بحور / buḥūr). The measuring unit of seas is known as "taf‘īlah" (تفعيلة), and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (بيت / bayt) of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the bayt from one meter to another. Also, in rhymed poetry, every bayt has to end with the same rhyme (قافية / qāfiyah) throughout the poem.
My father married a pure Cherokee
My mother's people were ashamed of me
The indians said I was white by law
The White Man always called me "Indian Squaw"
Half-breed, that's all I ever heard
Half-breed, how I learned to hate the word
Half-breed, she's no good they warned
Both sides were against me since the day I was born
We never settled, went from town to town
When you're not welcome you don't hang around
The other children always laughed at me "Give her a feather, she's a Cherokee"
We weren't accepted and I felt ashamed
Nineteen I left them, tell me who's to blame
My life since then has been from man to man