Miro may refer to:
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Prumnopitys ferruginea, commonly called miro, is an evergreen coniferous tree which is endemic to New Zealand. Before the genus Prumnopitys was distinguished, it was treated in the related genus Podocarpus as Podocarpus ferrugineus.
It grows up to 25 m high, with a trunk up to 1.3 m diameter. The leaves are linear to sickle-shaped, 15–25 mm long and 2–3 mm broad, with downcurved margins. The plants are dioecious with pollen cones being solitary while those of female plants hang from a curved, scaly stalk. The seed cones are highly modified, reduced to a central stem 2–3 cm long bearing 1-3 scales, each scale maturing berry-like, oval, about 20 mm long and 10–15 mm broad, red to purple-red with a soft edible pulp covering the single seed. The seeds are dispersed by the Kererū (New Zealand Pigeon), which eats the very conspicuous 'berries' and passes the seeds in its droppings. It is found growing on both lowland terrain and on hill slopes throughout the two main islands as well as on Stewart Island/Rakiura (47° S).
Miro (Mir, Mirio, Latin: Mirus) was the Suebian King of Galicia from 570 until his death in 583. His reign was marked by attempts to forge alliances with other Chalcedonian Christian nations with the goal of checking the power of the Arian Visigoths under Leovigild. During his reign relations were established with both Francia and the Byzantine Empire and the kingdom reached its zenith, but it collapsed within three years of his death.
Miro enjoyed good relations with the Church during his reign. In 572 he called the Second Council of Braga, a supplementary council to the First Council of Braga of 561. It has even been suggested, based on the lack of a signatory for the diocese of Dumio in the concilar acts, that Miro himself may have represented that see.
Miro also maintained "intimate and friendly" relations with Martin of Dumio, the Archbishop of Braga and Metropolitan of Gallaecia. Martin's principal work, Formula Vitae Honestae, is dedicated to him, and the Exhortatio Humilitatis, printed among Martin's works, is also probably addressed to him. Indeed, Martin advised Miro's counsellors to read his Formula so as to be able better to counsel the king.
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.
A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.
Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.
A set in darts consists of a sequence of legs (games) played, ending when the count of legs won meets certain criteria. Throwing first is considered an advantage in a leg, so players alternate who throws first in each leg during the set.
Generally, a set will consist of the best of five legs (first player to win three) - although there are some exceptions. The most notable being the Winmau World Masters, where a set is the best of three legs (first to two).
During the final of the 2007 PDC World Darts Championship, Raymond van Barneveld defeated Phil Taylor by seven sets to six in one of the most dramatic darts matches of all-time. The breakdown of how each set went is shown here.
Taylor won the first two sets by three legs to nil, then added the third set before van Barneveld took the next two. The match continued and went to six sets all. Neither player managed to gain a two-leg advantage in the final set "tiebreak" so the deciding leg was played when the score reached 5-5. Before the final leg, the players threw for the bullseye with the nearest given the advantage of throwing first.
Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
Turn around to the jungle
Turn around outside
It's out there in the jungle
There is truth among lies
And I've been to cold dark places
And I've had a broken shoulder
The code of the cold dark places
Have some bright one feel so warm
And if you want her up be sure to help you down
And if you burn it up you take the ashes to the ground
And if you grow it keep the truth deep, deep down
And if you set it up be sure to set it down
See you laugh with those voices
See you laugh with their heads
And thoughts that I felt to be pulling
It send new shades of gray
And I've been to cold dark places
And I've had leave old mind
The code of the cold dark places
Seem to help the sun to shine
And if you want her up be sure to help you down
And if you burn it up you take the ashes to the ground
And if you grow it up keep the truth deep, deep down
And if you set it up be sure to set it down
Searching, searching for close
Closest to the people that I love the most
Start to feel you and everything you do
As everything you do comes back to you
Spirits, of evil and grace intrusion of the mind
And intrusion of the space
And I'm sorry 'cause everything I do
And everything you do comes back to you
I feel you and everything I do
As everything you do comes back to you
I feel you and everything I do