Not to be confused with a 'Regent of a Shogun' known as Shikken
In Japan, Sesshō (摂政) was a title given to a regent who was named to assist either a child emperor before his coming of age, or an empress. The Kampaku (関白) was theoretically a sort of chief advisor for the emperor, but was the title of both first secretary and regent who assists an adult emperor. During the Heian era, they were the effective rulers of Japan. There was little, if any, effective difference between the two titles, and several individuals merely changed titles as child emperors grew to adulthood, or adult emperors retired or died and were replaced by child emperors. The two titles were collectively known as Sekkan (摂関), and the families that exclusively held the titles were called Sekkan-ke or Sekkan family. After the Heian era, shogunates took over the power.
A retired kampaku is called Taikō (太閤), which came to commonly refer to Toyotomi Hideyoshi.
In earlier times, only members of the Imperial Family could be appointed sesshō. Kojiki reported that Emperor Ōjin was assisted by his mother, Empress Jingū, but it is doubtful if it is a historical fact. The first historical sesshō was Prince Shōtoku who assisted Empress Suiko.
Sesshū Tōyō (Japanese: 雪舟 等楊; Oda Tōyō since 1431, also known as Tōyō, Unkoku, or Bikeisai;1420 – 26 August 1506) was the most prominent Japanese master of ink and wash painting from the middle Muromachi period. He was born into the samurai Oda family (小田家), then brought up and educated to become a Rinzai Zen Buddhist priest. However, early in life he displayed a talent for visual arts, and eventually became one of the greatest Japanese artists of his time, widely revered throughout Japan and China.
Sesshū studied under Tenshō Shūbun and was influenced by Chinese Song Dynasty landscape painting. In 1468–69, he undertook a voyage to Ming China, where too he was quickly recognized as an outstanding painter. Upon returning to Japan, Sesshū built himself a studio and established a large following, painters that are now referred to as the Unkoku-rin school—or "School of Sesshū". Although many paintings survive that bear Sesshū's signature or seal, only a few can be securely attributed to him. His most well-known work is the so-called "Long Landscape Scroll" (山水長巻, Sansui chōkan).
Mets-toi tout nu, si t'es un homme.
Histoire de voir où nous en sommes.
Qu'on me donne un primate.
Sans cravate.
Un Zorro.
Sans rien sur le dos...
t'es bien plus beau comme ça.
Un point c'est tout.
Un point c'est toi.
Je t'aime comme ça.
Un point c'est tout.
Un point c'est toi.
Sans artifice.
Où est le vice...
enlève la tenue.
Si t'es un homme.
Qui peut le plus.
Peut le minimum.
Et comme ça.
Tu restes la faiblesse.
De mon for intérieur.
Et moi, maîtresse.
En ta demeure...
t'es bien plus mâle comme ça.
Un point c'est tout.
Un point c'est toi.
Je t'aime comme ça.
Un point c'est tout.
Un point c'est toi.
Sans dessus, ni dessous.
Et puis c'est tout.
Et c'est comme ça...
gageons que tes états sauvages.
Feront moins de ravages.
Que tes plumes de paon.
Quand toi Tarzan.
Moi j'aime.
Quand tu tiens d'Adam.
Moi je tiens à toi.
t'es bien plus beau comme ça.
Un point c'est tout.
Un point c'est toi...
Je t'aime comme ça.
Un point c'est tout.
Un point c'est toi.
Sans rien du tout.
Sans rien que toi.