Gaucho (Spanish: [ˈɡautʃo]) or gaúcho (Portuguese: [ɡaˈuʃu]) is a word with several meanings. In its historical sense a gaucho was "A mestizo who, in the 18th and 19th centuries, inhabited Argentina, Uruguay and Rio Grande do Sul in Brazil". Today, in Argentina and Uruguay, a gaucho is simply "A country person, experienced in traditional cattle ranching work". Because historical gauchos were reputed to be brave, if unruly, the word is also applied metaphorically to mean "Noble, brave and generous", but also "One who is skilful in subtle tricks, crafty". In Portuguese the word gaúcho (note the accent) means "An inhabitant of the plains of Rio Grande do Sul or the pampas of Argentina descended from European man and [Amer]Indian woman who devotes himself to lassoing and raising cattle and horses".
Gaucho is an equivalent of the North American "cowboy" (vaquero, in Spanish), the Chilean huaso, the Peruvian chalan, the Cuban guajiro, the Puerto Rican jibaro, the Venezuelan or Colombian llanero, the Ecuadorian chagra, the Hawaiian paniolo, and the Mexican charro, which are terms that often connote the 19th century more than the present day; then, gauchos made up the majority of the rural population, herding cattle on the vast estancias, and practicing hunting as their main economic activities.
Gaúcho or Corta Jaca is the Brazilian tango (maxixe) composed by Chiquinha Gonzaga, her most recorded song. It was a song from the burlesque operetta Zizinha Maxixe first staged in 1895.
The original title being Gaucho, the song had the subtitle Dança do Corta-jaca. Eventually Corta jaca had become the best known titile of the song. The dance in question is a Brazilian traditional dance, characterized by energetic individual spins, gymnastic moves, and percussive footwork. The expression "corta jaca" literally means "cut the jackfruit" and has a sexual innuendo, seen in the number Gaúcho itself.
The song caused a minor scandal when the Second Lady of Brazil, Nair de Teffé, performed in on guitar in public in 1914.
A gaucho (gaúcho in Portuguese) is a South American cattle herder.
Gaucho or The Gaucho may also refer to:
Stomp may refer to:
"Stomp!" is a song released by The Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. It reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. It was a bigger success in the UK, where it peaked at number 6 on the singles chart. The song also reached number one on the New Zealand Singles Chart, staying in this position for six weeks in 1980.
The song was also used in one episode of the British television series Red Dwarf, in which the main characters win a basketball game against prison guards.
It was also used in two episodes of the American series Freaks and Geeks, when the main characters visit a store in their local mall that sells disco-themed apparel.
"Stomp!" can be heard playing in the background during a scene in the 2008 film Yes Man.
The song was also included in the soundtrack of the 2006 film Akeelah and the Bee.
The track was also used on Jane Fonda's 1982 fitness cassette, alongside tracks by the Jacksons and other artists.
Stomp is a percussion group, originating in Brighton, UK that uses the body and ordinary objects to create a physical theatre performance.
Stomp was created by Luke Cresswell and Steve McNicholas in Brighton, United Kingdom in 1991. The performers use a variety of everyday objects as percussion instruments in their shows.
Cresswell and McNicholas first worked together in 1981 as members of the street band Pookiesnackenburger and the theatre group Cliff Hanger. Together, these groups presented a series of street comedy musicals at the Edinburgh Festival throughout the early 1980s. After two albums, a UK TV series and extensive touring throughout Europe, Pookiesnackenburger also produced the "Bins" commercial for Heineken lager. The piece was originally written and choreographed by Cresswell as part of the band's stage show.
Between 1987 and 1990, Cresswell directed staged four large-scale outdoor events, including "Beat the Clyde". which involved floating a drum orchestra on a pontoon in the center of Glasgow; the largest of these events, the "Heineken Hove Lagoon Show", involved a 120 piece drum orchestra featuring the Brighton Festival Chorus and a full orchestral string section.