Sensations (film)

Sensations is a 1975 pornographic film written by Veronique Monet and directed by Lasse Braun. It stars the writer and Brigitte Maier, and it features an appearance by Tuppy Owens. It was exhibited at the Cannes Film Festival and became the first European pornographic film to be distributed in the USA.

References

External links

Afternoons in Utopia

Afternoons in Utopia is the second album released by Alphaville in 1986, by Warner Music. The album was recorded between September 1985 and May 1986, and Alphaville employed no less than 27 guest musicians and singers to record the songs. 500,000 copies of the album have been sold.

Reviews

Reviews for this album were again generally positive, with one reviewer saying "at points things are just bad yup-funk for wine bars, but a couple of misfires aside, Afternoons in Utopia holds up well" and "in retrospect it's actually a successful endeavour, perfectly evocative of a mainstream style." The album finished in the Top 20 in five European countries and at #174 the US. Another reviewer points out that "by the time of this album's 1986 release, synth-pop was no longer a chart concern."

Album notes

The album's lyrics make several references to cosmic entities ("sci fi" as one reviewer called it), including comets, the planet Mars and its landscape, and a starship. When the word "smile" is used in the songs "Afternoons in Utopia," "Lassie Come Home," and "Red Rose," it's printed in the liner notes as the acronym S.M.I².L.E., a reference to Timothy Leary, which stands for "Space Migration, Increased Intelligence, [and] Life Extension."

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: