Chief Solano, original native name Sem-Yeto, meaning "brave or fierce hand", and christianed at about age ten with the Spanish name Francisco Solano, was born about 1798-1800 near Suisun Bay, California in California. Sem-Yeto was a famous chief and leader of the Suisunes tribe, a Patwin people of the Suisun Bay region of California. Chief Solano was a charismatic, tall and notable Native American leader in Alta California, because of his alliance, friendship and eventually the support of his entire tribe to General Mariano Guadalupe Vallejo of Sonoma, in military and political excursions around Sonoma County and the San Francisco Bay Area.
Sem-Yeto was described as tall, 6 feet 7 inches (200 cm), handsome and brave.
Sem-Yeto was born in the Suisunes Bay region of California, and lived there the first years of his life. He was baptized at the San Francisco Mission on July 24, 1810, and there given Spanish name of Francisco Solano. The recorder noted he was a Suisun, about 10 to 12 years old ("como de 10 a 12") with native name Sina, and that his father's native name was Sulapy, and his mother was deceased. It also records both his parents as gentiles (meaning not recruited nor baptized). He presumably grew to adulthood at the mission.
SEM can refer to:
Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque.
Georges Goursat was born and raised in an upper-middle-class family from Périgueux. The wealth inherited from his father at the age of 21 allowed him to sustain a gilded youth.
In 1888 he self published in Périgueux his first three albums of caricatures, signing some as "SEM" (Figure, left), allegedly as a tribute to Amédée de Noé who signed his caricatures for Le Monde illustré as "Cham".
From 1890 to 1898, he settled for a few years in Bordeaux. During this period, he published more albums and his first press caricatures in La Petite Gironde and discovered the work of Leonetto Cappiello. His style matured, becoming both simpler and more precise.
During the same period, he made trips to Paris. In 1891, he designed two posters printed in the workshop of Jules Chéret (Figure, right) for the singer Paulus. He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert).
Ebel Rabbati (Hebrew: אבל רבתי) is one of the later or minor tractates which in the editions of the Babylonian Talmud are placed after the fourth order, Neziḳin; it treats of mourning for the dead. It is known also under the euphemistic name Semachot (שמחות), meaning "festive occasions" or "joys".
A collection of baraitot entitled "Ebel Rabbati" is cited in the Talmud (M. Ḳ. 24a, 26b; Ket. 28a), sentences therefrom being quoted; but it is not identical with the treatise now under consideration, since only one of the three sentences in question, namely, that cited in Ket. 28a, is found even in an approximate form in Semaḥot (ii. 13-14).
The designation "Ebel Rabbati" in the Talmud seems indeed to presuppose that a shorter treatise of like content was in existence at the time of the Amoraim, although it is probable that the term "Rabbati" (the Large) was used merely because the collection of mourning regulations to which it was applied was more copious than that contained in the Mishnah (M. Ḳ. iii.). So much, however, is certain, that besides the treatise which is now known as Semaḥot or Ebel Rabbati there was an older collection of baraitot concerning funeral ordinances, and that the former was designated "Rabbati" to distinguish between the two.
All I want is what's on top a yo shoulders
Don't wanna bend u over
No pit pat or riff raff
Suck this thang with ya tit tat
Don't wanna do it girl get back
Suck suck baby no kit kat
Pleeeease baby don't mitch match
Lil strap but RECALLL (strap)
Herr heads on top a yalls
She get to it suck dick an balls
Her sex game is off the wall
And I fuck audience big and tall
Psyche! I was just playin with ya'll
U my type yeah little and small
Right on up to go round and round
Round and round she right and round
I just found
The girl I need to do me just like Nike
Face down no sound I like it
Plus shawty dikin'
She ready for whateva
Girl u betta tell ha...
It's nine inches or betta over here
[Chorus:]
A Girl all I want is head head
Just a little bit bit bit
Then I'm a lay back on this bed bed
Bitch gimme some head
All I want is head head head
All I want is head head head
All I need is head head head
All I want is head head head
All I need is head head head
All I want is ""
All I need""
Girl come get close to me
Put yo head between my knees
Make yo head go up and down like you jumpin on trampoline
Girl don't come trample me it's enough for all you three
If u wanna get with me then common baby follow me
Get a lil closer let me show u what they all gon see
And it's going where yo jaws should be
Keep yo draws on cause NAW they ain't all for me
Pass that hoe to Strap and he gon beat them walls fa me
He gon break the law fa me
Them hitters unlawfully
Man tell me why WHY?
Why these hoes is all on me
And I ain't all alone
This bitch gave me stadium nigga fuck a dome
[Chorus]
I ain't with all that cakin shit
I ain't with all that datin shit
I just want for u to common ova we can make some shit(hey wat dat is?)
A a movie jump in that Jacuzzi
Shawty kissin on me rubbin and tryna seduce me
I ain't tryna fuck shawty on the real tip
Fa real u know what it is
Whisper in her ear lips like Angelina