Selim (1802 – 1825) was a British Thoroughbred racehorse. He was owned by the Prince of Wales, D. Radcliffe and later Arthur Shakespear. After retiring from racing he became a successful stallion and was British Champion sire in 1814. His progeny included Azor, Medora, Sultan and Turquoise.
Selim was a chestnut colt bred by General Sparrow and foaled in 1802. He was sired by Buzzard, who won the Craven Stakes twice and the Jockey Club Plate. Selim's dam was the bay Alexander mare, a daughter of Alexander. She also produced Castrel, Rubens and Bronze (all of whom for full-siblings to Selim.
Selim did not race until he was four years old. He made his debut on 29 July 1806 at Brighthelmston, where he beat the colt Wormwood over a mile for 50 guineas. His only other race of the season was in the first class October Oatlands Stakes over a mile at Newmarket. Now the property of D. Radcliffe, he started the 7/4 favourite in the field of five and won the race from Captain Absolute, with second-favourite Lydia finishing in third place.
Selim is an ethnic group of Sudan. They speak Sudanese Arabic. Most members of this ethnic groups are Muslims. The population of this ethnic group is at several 10,000.
The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Hyracotherium, into the large, single-toed animal of today. Humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated, such as the endangered Przewalski's horse, a separate subspecies, and the only remaining true wild horse. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.
Horses' anatomy enables them to make use of speed to escape predators and they have a well-developed sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down. Female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.
A horse is a hoofed mammal of the species Equus ferus caballus.
Horse or Horses may also refer to:
Uma (馬, also known as Horse) is a 1941 black-and-white Japanese film directed by Kajiro Yamamoto and starring Hideko Takamine, whom Yamamoto had directed in his film Composition Class (Tsuzurikata Kyōshitsu) three years before. Uma was actually completed by assistant director Akira Kurosawa. It follows the story of Ine Onoda, the eldest daughter of a poor family of farmers, who raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
The film is a tale about a young girl and the colt she raises from its birth. But it is also about the struggle of farmers existing on the edge of poverty. Akira Kurosawa is credited as the film's production coordinator, which is equivalent to first assistant director. But Kurosawa's signature is all over this work and is the last film he was to work on as an assistant before starting his own directing career. The film took three years to plan and a year to film. Kajiro Yamamoto had to commute to the far mountainous location but had to turn his attention to his money making comedies in Tokyo and so he left production in the hands of his assistant, Kurosawa.