The self is the subject of one's own experience of phenomena: perception, emotions, thoughts. In phenomenology, it is conceived as what experiences, and there isn't any experiencing without an experiencer, the self. The self is therefore an "immediate given", an intrinsic dimension of the fact of experiencing phenomena. In some other trends of philosophy, the self is instead seen as requiring a reflexive perception of oneself, the individual person, meaning the self in such a view is an object of consciousness.
The self has been studied extensively by philosophers and psychologists and is central to many world religions. With the recent rise in technology, the self has been discussed under various new emerging fields, such as Technoself Studies.
The philosophy of self seeks to describe essential qualities that constitute a person's uniqueness or essential being. There have been various approaches to defining these qualities. The self can be considered that being which is the source of consciousness, the agent responsible for an individual's thoughts and actions, or the substantial nature of a person which endures and unifies consciousness over time.
The philosophy of self defines, among other things, the conditions of identity that make one subject of experience distinct from all others. Contemporary discussions on the nature of the self are not thereby discussions on the nature of personhood, or personal identity. The self is sometimes understood as a unified being essentially connected to consciousness, awareness, and agency (or, at least, with the faculty of rational choice). Various theories on the metaphysical nature of the self have been proposed. Among them, the metaphysical nature of the self has been proposed to be that of an immaterial substance.
Most philosophical definitions of self—per Descartes, Locke, Hume, and William James—are expressed in the first person. A third person definition does not refer to specific mental qualia but instead strives for objectivity and operationalism.
To another person, the self of one individual is exhibited in the conduct and discourse of that individual. Therefore, the intentions of another individual can only be inferred from something that emanates from that individual. The particular characteristics of the self determine its identity.
Self is an object-oriented programming language based on the concept of prototypes. Self was a dialect of Smalltalk, being dynamically typed and using just-in-time compilation (JIT) as well as the prototype-based approach to objects: it was first used as an experimental test system for language design in the 1980s and 1990s. In 2006, Self was still being developed as part of the Klein project, which was a Self virtual machine written fully in Self. The latest version is 4.5.0 released in January 2014.
Several just-in-time compilation techniques were pioneered and improved in Self research as they were required to allow a very high level object oriented language to perform at up to half the speed of optimized C. Much of the development of Self took place at Sun Microsystems, and the techniques they developed were later deployed for Java's HotSpot virtual machine.
At one point a version of Smalltalk was implemented in Self. Because it was able to use the JIT this also gave extremely good performance.
Gizmodgery is the fifth album by alternative pop/rock band Self, released in 2000 by Spongebath Records. The LP, with the exception of "9 Lives," was recorded entirely with children's toy instruments.
The album contains a cover of the Doobie Brothers' hit song "What a Fool Believes" and is also notable for being released in the short-lived HDCD format. The track "Trunk Fulla Amps" appears twice on the album, the second version with the expletives removed. The song references and parodies a variety of rock artists, including Freddie Mercury/Queen, ELO, Glenn Danzig/Danzig, and Lenny Kravitz. Japanese import version of the album contains the bonus track "Resurrect", and alternate artwork.
Two songs from Breakfast with Girls ("Suzy Q Sailaway" and "Uno Song") had originally both been recorded for inclusion on Gizmodgery but both songs were added to Breakfast at the insistence of DreamWorks Records. (Both songs obviously and sonically stand in stark contrast to the rest of Mahaffey's tones on Breakfast with Girls.)
we can write the chapters of existence starting now
starting now, we'll throw it all down
i can see the shadows in the water on the ground, on the ground
they follow me around
behind every story there's a quick end
behind every smile there's a clown
to understand it i guess i'd have to be a dead man trying not to laugh out loud
i can hear a lonely operator on the phone, on the phone
she can't call home
overseas burned to third degree and the collection plate's been passed and received by me
i wish i could tell you, all you children, why you're here, why you're here
we'd all sing along
isn't that something 'cause there is no knowing 'til you're gone
when i'm gone i'll prove you all wrong
behind every woman there's a good man trying not to bug the hell out
to understand it guess i'd have to be a dead man trying not to laugh out loud
no don't take me under
behind every story there's a quick end
behind every smile there's a clown
to understand it i guess i'd have to be a dead man trying not to laugh out
behind every woman there's a good man trying not to bug the hell out
to understand it, guess i'd have to be a dead man trying not to laugh out loud
trying not to laugh out loud
trying not to laugh out loud