Environment variables are a set of dynamic named values that can affect the way running processes will behave on a computer.
They are part of the environment in which a process runs. For example, a running process can query the value of the TEMP environment variable to discover a suitable location to store temporary files, or the HOME or USERPROFILE variable to find the directory structure owned by the user running the process.
They were introduced in their modern form in 1979 with Version 7 Unix, so are included in all Unix operating system flavors and variants from that point onward including Linux and OS X. From PC DOS 2.0 in 1982, all succeeding Microsoft operating systems including Microsoft Windows, and OS/2 also have included them as a feature, although with somewhat different syntax, usage and standard variable names.
In all Unix and Unix-like systems, each process has its own separate set of environment variables. By default, when a process is created, it inherits a duplicate environment of its parent process, except for explicit changes made by the parent when it creates the child. At the API level, these changes must be done between running fork
and exec
. Alternatively, from command shells such as bash, a user can change environment variables for a particular command invocation by indirectly invoking it via env
or using the ENVIRONMENT_VARIABLE=VALUE <command>
notation. All Unix operating system flavors, DOS, and Windows have environment variables; however, they do not all use the same variable names. A running program can access the values of environment variables for configuration purposes.
Below is a list of intervals exprimable in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals.
For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory, without consideration of the way in which they are tuned, see Interval (music) § Main intervals.
A minute of arc (MOA), arcminute (arcmin) or minute arc is a unit of angular measurement equal to one-sixtieth (1/60) of one degree. As one degree is 1/360 of a circle, one minute of arc is 1/21600 of a circle (or, in radians, π/10800). It is used in fields that involve very small angles, such as astronomy, optometry, ophthalmology, optics, navigation, land surveying and marksmanship.
The number of square arcminutes in a complete sphere is approximately 148,510,660 square arcminutes.
A second of arc (arcsecond, arcsec) is 1/60 of an arcminute, 1/3,600 of a degree, 1/1,296,000 of a circle, and π/648,000 (about 1/206,265) of a radian. This is approximately the angle subtended by a U.S. dime coin (18mm) at a distance of 4 kilometres (about 2.5 mi).
To express even smaller angles, standard SI prefixes can be employed; the milliarcsecond (mas), for instance, is commonly used in astronomy.
The standard symbol for marking the arcminute is the prime (′) (U+2032), though a single quote (') (U+0027) is commonly used where only ASCII characters are permitted. One arcminute is thus written 1′. It is also abbreviated as arcmin or amin or, less commonly, the prime with a circumflex over it ().
Latin peoples (also called Romance peoples) is a term used broadly to refer to societies heavily influenced by Roman culture and language.
The use of Latin language first developed in the region of Latium in central Italy, while proto-Latin speakers existed since c. 1000 BC. With the rise of the Roman Empire, it spread first throughout Italy and then through southern, western, central, and southeast Europe, and northern Africa along parts of western Asia. After the collapse of the Western Roman Empire, the use of the Latin language retreated in size, but was still widely used, such as through the Catholic Church as well as by others like the Germanic Visigoths and the Catholic Frankish kingdom of Clovis. In part due to regional variations of the Latin language and local environments, several languages evolved from it, the Romance languages. The Spanish and Portuguese languages prominently spread into North, Central, and South America through colonization. The French language has spread to most inhabited continents through colonialism. The Italian language developed as a national language of Italy beginning in the 19th century out of several similar Romance dialects. The Romanian language has developed primarily in the Daco-Romanian variant that is the national language of Romania, but also other Romanian variants such as Aromanian and Moldovan.
Latin is the third album from improvisational electronic band Holy Fuck. It was placed on the Long List for the 2010 Polaris Music Prize. In the United States, the album reached #14 on the Billboard Dance charts and #40 on the Heatseekers chart.
The classical Latin alphabet, also known as the Roman alphabet, is a writing system that evolved from the visually similar Cumaean Greek version of the Greek alphabet. The Greek alphabet, including the Cumaean version, descended from the Phoenician abjad while The Phoenician alphabet is derived from Egyptian hieroglyphics. The Etruscans who ruled early Rome adopted and modified the Cumaean Greek alphabet. The Etruscan alphabet was in turn adopted and further modified by the ancient Romans to write the Latin language.
During the Middle Ages scribes adapted the Latin alphabet for writing Romance languages, direct descendants of Latin, as well as Celtic, Germanic, Baltic, and some Slavic languages. With the age of colonialism and Christian evangelism, the Latin script spread beyond Europe, coming into use for writing indigenous American, Australian, Austronesian, Austroasiatic, and African languages. More recently, linguists have also tended to prefer the Latin script or the International Phonetic Alphabet (itself largely based on Latin script) when transcribing or creating written standards for non-European languages, such as the African reference alphabet.
War is a painting created by Portuguese-British visual artist Paula Rego in 2003.
War is a large pastel on paper composition measuring 1600mm x 1200mm. A rabbit-headed woman stands prominently in the center carrying a wounded child, surrounded by several realistic and fantastic figures recalling a style Rego describes as "beautiful grotesque".
For The Telegraph's Alastair Sooke, "The more you look at War, the curiouser and curiouser it becomes. Rego's white rabbits owe more to Richard Kelly's film Donnie Darko than Lewis Carroll's Wonderland."
The painting first appeared as part of Rego's "Jane Eyre and Other Stories" exhibition at Marlborough Fine Art in London in 2003. It was inspired by a photograph that appeared in The Guardian near the beginning of the Iraq War, in which a girl in a white dress is seen running from an explosion, with a woman and her baby unmoving behind her. In an interview conducted in relation to the Museo Nacional Centro de Arte Reina Sofía's 2007 exhibition, Rego said of this painting, "I thought I would do a picture about these children getting hurt, but I turned them into rabbits' heads, like masks. It’s very difficult to do it with humans, it doesn’t get the same kind of feel at all. It seemed more real to transform them into creatures."